"This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are"
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Chestnut’s line reads like a preemptive strike against two modern killjoys: the prestige-obsessed critic and the ironically detached viewer who “hate-watches” everything into dust. “This film is what it is” isn’t laziness; it’s boundary-setting. He’s drawing a bright line around the intended experience: not awards bait, not a social thesis, not a puzzle box begging for Reddit exegesis. It’s a “campy thriller horror movie” meant to deliver sensation, laughs, jolts, maybe a few deliciously ridiculous turns, then send you home satisfied.
The repetition - “it is what it is… they are what they are” - works like a mantra, almost defensive in its simplicity. That’s the subtext: he knows the film will be judged in a culture that treats seriousness as a synonym for value. Chestnut refuses that hierarchy. Camp, in this framing, isn’t a flaw to apologize for; it’s a contract with the audience. If you show up expecting high art, you’ll feel cheated. If you show up ready to play along, you’ll be rewarded.
There’s also a shrewd actor’s awareness of how genre movies are consumed now. Horror-thriller hybrids live and die by vibe, pacing, and communal reaction - the theater yelp, the “no, don’t go in there” chorus. Chestnut is selling the correct mode of watching: loosen up, accept the heightened choices, let the movie be a ride. In an era of hyperanalysis, that’s practically a radical pitch.
The repetition - “it is what it is… they are what they are” - works like a mantra, almost defensive in its simplicity. That’s the subtext: he knows the film will be judged in a culture that treats seriousness as a synonym for value. Chestnut refuses that hierarchy. Camp, in this framing, isn’t a flaw to apologize for; it’s a contract with the audience. If you show up expecting high art, you’ll feel cheated. If you show up ready to play along, you’ll be rewarded.
There’s also a shrewd actor’s awareness of how genre movies are consumed now. Horror-thriller hybrids live and die by vibe, pacing, and communal reaction - the theater yelp, the “no, don’t go in there” chorus. Chestnut is selling the correct mode of watching: loosen up, accept the heightened choices, let the movie be a ride. In an era of hyperanalysis, that’s practically a radical pitch.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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