"This film, Tomb Raider 2, is a big challenge. It's quite exhausting"
About this Quote
A journeyman admission like this lands because it punctures the fantasy that big-budget spectacle is effortless glamour. Jan de Bont isn’t selling inspiration; he’s quietly managing expectations. Calling Tomb Raider 2 "a big challenge" and "quite exhausting" is the language of logistics, not mythology. It’s the director translating a franchise object into a human workload: locations, stunts, weather, schedules, studio pressure, the constant need to make the impossible look routine.
The phrasing matters. "Big challenge" is diplomatically vague, a safe umbrella that can cover everything from technical headaches to creative compromise. "Quite exhausting" is more revealing: it’s bodily, immediate, and hard to spin into PR triumph. De Bont was known for kinetic, physically demanding action filmmaking (Speed, Twister), and those films thrive on controlled chaos. With Tomb Raider 2, the subtext is that the machine has grown larger than the filmmaker. The brand is already pre-sold; the director’s job is to keep the pipeline moving and deliver set pieces that justify the budget.
There’s also a strategic humility here. When directors hint at strain, they’re often insulating the work from future criticism: if the result is uneven, the audience has been subtly told the conditions were brutal. It’s not self-pity so much as an industry tell. Even in escapism, someone is sweating off-camera, and de Bont lets that reality leak through in a sentence that’s almost aggressively unromantic.
The phrasing matters. "Big challenge" is diplomatically vague, a safe umbrella that can cover everything from technical headaches to creative compromise. "Quite exhausting" is more revealing: it’s bodily, immediate, and hard to spin into PR triumph. De Bont was known for kinetic, physically demanding action filmmaking (Speed, Twister), and those films thrive on controlled chaos. With Tomb Raider 2, the subtext is that the machine has grown larger than the filmmaker. The brand is already pre-sold; the director’s job is to keep the pipeline moving and deliver set pieces that justify the budget.
There’s also a strategic humility here. When directors hint at strain, they’re often insulating the work from future criticism: if the result is uneven, the audience has been subtly told the conditions were brutal. It’s not self-pity so much as an industry tell. Even in escapism, someone is sweating off-camera, and de Bont lets that reality leak through in a sentence that’s almost aggressively unromantic.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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