"This guy kept telling us that rock was the big thing, everyone's talking about the big thing, our band was the big thing. So he made us change our name to The Big Thing. Can you believe that?!"
About this Quote
A perfect little snapshot of how music-industry hype works: take a genuine scene, wrap it in a catchphrase, then sell the catchphrase back to the artists as if it were destiny. Terry Kath’s disbelief is doing double duty here. On the surface, it’s a funny anecdote about a clueless promoter or manager who hears “big thing” so often he treats it like a brand label. Underneath, it’s a quiet protest against being turned into a slogan.
Kath came up in an era when rock was industrializing fast: bands were no longer just playing clubs, they were being packaged for radio, press, and the teen market. The line “everyone’s talking about the big thing” isn’t evidence; it’s the kind of self-fulfilling PR mantra that tries to manufacture consensus. When he says “our band was the big thing,” you can hear how flattery becomes leverage. The punchline - “So he made us change our name” - reveals the trick: if you can name it, you can own it, or at least steer it.
Kath’s “Can you believe that?!” lands because it’s both incredulous and weary, the voice of a musician watching language get used as a steering wheel. It’s also a tiny piece of rock history: before Chicago became Chicago, there was Chicago Transit Authority, and before that, the industry’s constant urge to simplify, reframe, and monetize. The humor is the defense; the subtext is the warning.
Kath came up in an era when rock was industrializing fast: bands were no longer just playing clubs, they were being packaged for radio, press, and the teen market. The line “everyone’s talking about the big thing” isn’t evidence; it’s the kind of self-fulfilling PR mantra that tries to manufacture consensus. When he says “our band was the big thing,” you can hear how flattery becomes leverage. The punchline - “So he made us change our name” - reveals the trick: if you can name it, you can own it, or at least steer it.
Kath’s “Can you believe that?!” lands because it’s both incredulous and weary, the voice of a musician watching language get used as a steering wheel. It’s also a tiny piece of rock history: before Chicago became Chicago, there was Chicago Transit Authority, and before that, the industry’s constant urge to simplify, reframe, and monetize. The humor is the defense; the subtext is the warning.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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