"This solution may not appeal to our human pride, but the problem is that our human pride in itself is sinful"
About this Quote
Pride is the real defendant here, and Lang stages it like a moral plot twist: the thing most likely to reject an unglamorous “solution” is precisely the thing that makes the solution necessary. The line is engineered to undercut the listener’s instinct to negotiate, to demand a remedy that flatters the self. By naming “human pride” twice, Lang pins the audience to a single culprit and denies the usual escape hatches (ego as ambition, ego as self-respect). He’s talking about pride in the older theological sense: not confidence, but the refusal to be dependent, accountable, or corrected.
The intent is pastoral and disciplinary at once. “May not appeal” sounds gentle, almost diplomatic, but the sentence quickly turns prosecutorial: your tastes are compromised; your aesthetic objections are suspect because they’re born of the very vice at issue. It’s a clever preemptive strike against a common modern posture - judging moral or spiritual claims by whether they “feel empowering.” Lang’s subtext is that empowerment can be a trap if it’s merely the self enthroned.
As a director working in a 20th-century culture increasingly shaped by psychology, celebrity, and self-invention, Lang’s phrasing reads like a counter-program. It resists the therapeutic promise that the self is basically fine and just needs better tools. Instead it insists that the inner obstacle isn’t ignorance but a moral condition: pride that doesn’t want rescue unless it can take credit for it. The sting is deliberate. If you bristle, Lang implies, you’ve just provided his evidence.
The intent is pastoral and disciplinary at once. “May not appeal” sounds gentle, almost diplomatic, but the sentence quickly turns prosecutorial: your tastes are compromised; your aesthetic objections are suspect because they’re born of the very vice at issue. It’s a clever preemptive strike against a common modern posture - judging moral or spiritual claims by whether they “feel empowering.” Lang’s subtext is that empowerment can be a trap if it’s merely the self enthroned.
As a director working in a 20th-century culture increasingly shaped by psychology, celebrity, and self-invention, Lang’s phrasing reads like a counter-program. It resists the therapeutic promise that the self is basically fine and just needs better tools. Instead it insists that the inner obstacle isn’t ignorance but a moral condition: pride that doesn’t want rescue unless it can take credit for it. The sting is deliberate. If you bristle, Lang implies, you’ve just provided his evidence.
Quote Details
| Topic | Humility |
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