"This thing called Patriot Act, through which we abdicated a lot of our civil rights to defend the country against terrorism, it's a four-year story"
About this Quote
Neil Young frames the Patriot Act less as legislation than as a kind of bad bargain we rushed into while scared. The phrasing does a lot of work: “This thing called” carries a faint sneer, like he’s holding the law at arm’s length, stripping it of the reverence that often clings to post-9/11 security language. Then he lands the real indictment with “we abdicated,” a word that belongs to kings giving up thrones. It suggests not a careful democratic tradeoff but a surrender of duty - the public handing over responsibility for liberty because fear made it feel easier.
Young’s “to defend the country against terrorism” is pointedly not argued against; he lets the official rationale stand in the sentence so the listener can hear how it’s been used to sanctify almost anything. The subtext is that “defense” became a rhetorical solvent, dissolving rights that were supposed to be non-negotiable.
Calling it “a four-year story” anchors the critique in the Patriot Act’s sunset provisions and the Bush-era cycle of emergency politics. It’s also a songwriter’s move: compressing a sprawling apparatus of surveillance into a narrative arc, implying it had a beginning, a plot, and - crucially - an ending that citizens could choose. Young isn’t just complaining; he’s insisting the country can revise the chorus, not just sing along to it.
Young’s “to defend the country against terrorism” is pointedly not argued against; he lets the official rationale stand in the sentence so the listener can hear how it’s been used to sanctify almost anything. The subtext is that “defense” became a rhetorical solvent, dissolving rights that were supposed to be non-negotiable.
Calling it “a four-year story” anchors the critique in the Patriot Act’s sunset provisions and the Bush-era cycle of emergency politics. It’s also a songwriter’s move: compressing a sprawling apparatus of surveillance into a narrative arc, implying it had a beginning, a plot, and - crucially - an ending that citizens could choose. Young isn’t just complaining; he’s insisting the country can revise the chorus, not just sing along to it.
Quote Details
| Topic | Human Rights |
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