"Those who gave away their wings are sad not to see them fly"
About this Quote
A small tragedy hides in Porchia's clean, almost fable-like line: the grief of self-sabotage dressed up as generosity. "Gave away their wings" sounds noble, even saintly, until the second half snaps shut. The sadness isn't about sacrifice; it's about the aftertaste of it. They want the sight of flight without the risk, the effort, the exposure of taking off themselves. Porchia turns a supposed virtue into a quiet indictment of people who outsource their own possibility.
The verb choice matters. "Gave away" implies agency, not theft. This isn't a story about oppression; it's about a decision - maybe made once, maybe repeated until it felt like fate. Wings are also a blunt metaphor for talent, freedom, erotic charge, ambition: whatever lifts you beyond the ground-level life. To give them away can be read as choosing safety, domesticity, duty, or approval over the unruly self that might soar. The sting is that regret arrives not as a demand to reclaim the wings, but as a craving to witness what could have been. They become spectators to a life they privately authored.
Porchia, an Argentine poet known for aphoristic, paradoxical fragments, writes in the long shadow of modernism and exile: a world where identity feels contingent and the self is constantly negotiated. His intent isn't motivational; it's diagnostic. The line exposes a familiar bargain: we trade away our capacities to be loved, to belong, to avoid failure - then mourn the very exhilaration we pre-emptively denied ourselves. The subtext is merciless: the saddest prison is the one we furnished and called a gift.
The verb choice matters. "Gave away" implies agency, not theft. This isn't a story about oppression; it's about a decision - maybe made once, maybe repeated until it felt like fate. Wings are also a blunt metaphor for talent, freedom, erotic charge, ambition: whatever lifts you beyond the ground-level life. To give them away can be read as choosing safety, domesticity, duty, or approval over the unruly self that might soar. The sting is that regret arrives not as a demand to reclaim the wings, but as a craving to witness what could have been. They become spectators to a life they privately authored.
Porchia, an Argentine poet known for aphoristic, paradoxical fragments, writes in the long shadow of modernism and exile: a world where identity feels contingent and the self is constantly negotiated. His intent isn't motivational; it's diagnostic. The line exposes a familiar bargain: we trade away our capacities to be loved, to belong, to avoid failure - then mourn the very exhilaration we pre-emptively denied ourselves. The subtext is merciless: the saddest prison is the one we furnished and called a gift.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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