"Though, since the first record, I've dramatically changed my expectations for our records"
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There is a quiet flex in that sentence, disguised as modest housekeeping. Daniel Johns isn’t just talking about “growth”; he’s redrawing the contract between artist and audience in real time. “Though” opens like a concession, as if he’s answering an implied accusation: Why don’t you sound like you used to? The clause that follows doesn’t apologize. It pivots. He frames the change not as drifting tastes but as an internal recalibration of standards: “dramatically changed my expectations.” The emphasis is on expectations for “our records,” not for critics, not for fans, not even for the band’s legacy. It’s a musician insisting the primary pressure comes from inside the studio.
The subtext is about survival. Johns’ public arc (early fame, scrutiny, physical and mental health battles, constant genre shifts) makes “expectations” feel less like marketing and more like self-preservation. If your first record locks you into a narrative - youthful hunger, a signature sound, a myth of authenticity - then changing expectations is how you avoid becoming a tribute act to your own adolescence.
Context matters: rock culture rewards continuity until it suddenly punishes stagnation. Johns threads that needle by owning the shift. “Since the first record” invokes a baseline, a before-and-after, but “our records” keeps it collective, a nod to band identity even while he quietly asserts authorship. It’s a neat piece of phrasing that reframes evolution as responsibility: if the work is going to keep existing, it has to keep costing you something.
The subtext is about survival. Johns’ public arc (early fame, scrutiny, physical and mental health battles, constant genre shifts) makes “expectations” feel less like marketing and more like self-preservation. If your first record locks you into a narrative - youthful hunger, a signature sound, a myth of authenticity - then changing expectations is how you avoid becoming a tribute act to your own adolescence.
Context matters: rock culture rewards continuity until it suddenly punishes stagnation. Johns threads that needle by owning the shift. “Since the first record” invokes a baseline, a before-and-after, but “our records” keeps it collective, a nod to band identity even while he quietly asserts authorship. It’s a neat piece of phrasing that reframes evolution as responsibility: if the work is going to keep existing, it has to keep costing you something.
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| Topic | Music |
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