"Through art and science in their broadest senses it is possible to make a permanent contribution towards the improvement and enrichment of human life and it is these pursuits that we students are engaged in"
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Sanger’s sentence is a quiet piece of scientific evangelism, but it’s evangelism with a lab coat on: disciplined, modest, and aimed at permanence. The key move is his pairing of “art and science in their broadest senses.” Coming from a two-time Nobel-winning biochemist, “art” isn’t a detour into gallery culture; it’s an argument that creativity, craft, and aesthetic judgment are not ornamental to knowledge-making but integral to it. “Broadest senses” widens the tent further, inviting basic research, applied work, and even the patient, often invisible labor of technique-building under the same moral umbrella.
The phrase “permanent contribution” carries the subtext of mid-20th-century scientific confidence: the belief that certain kinds of work can outlast politics, markets, even individual lifetimes. It’s also a rebuke to the idea of education as credentialing. Sanger frames students not as consumers of instruction but as participants in a long-term project with ethical stakes: “improvement and enrichment of human life.” That pairing matters. “Improvement” nods to medicine, agriculture, and the measurable gains of modernity; “enrichment” gestures at meaning, curiosity, and dignity, the softer benefits that justify inquiry when utility isn’t obvious.
Contextually, it reads like a message to young researchers at a time when science was both lionized and feared (nuclear power, industrial chemistry, Cold War competition). Sanger’s tone sidesteps grandiosity; it’s collective (“we students”), almost monastic. The rhetorical power is in its steadiness: a claim that the best answer to technology’s risks is not retreat, but better pursuits, pursued better.
The phrase “permanent contribution” carries the subtext of mid-20th-century scientific confidence: the belief that certain kinds of work can outlast politics, markets, even individual lifetimes. It’s also a rebuke to the idea of education as credentialing. Sanger frames students not as consumers of instruction but as participants in a long-term project with ethical stakes: “improvement and enrichment of human life.” That pairing matters. “Improvement” nods to medicine, agriculture, and the measurable gains of modernity; “enrichment” gestures at meaning, curiosity, and dignity, the softer benefits that justify inquiry when utility isn’t obvious.
Contextually, it reads like a message to young researchers at a time when science was both lionized and feared (nuclear power, industrial chemistry, Cold War competition). Sanger’s tone sidesteps grandiosity; it’s collective (“we students”), almost monastic. The rhetorical power is in its steadiness: a claim that the best answer to technology’s risks is not retreat, but better pursuits, pursued better.
Quote Details
| Topic | Student |
|---|---|
| Source | Help us find the source |
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