"Through writing, through that process, they realize that they become more intelligent, and more honest and more imaginative than they can be in any other part of their life"
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Banks is smuggling a radical claim into what sounds like a gentle pep talk: writing is not just a way to express a self, but a machine for manufacturing a better one. The line stacks its verbs and comparatives like steps in a staircase - “more intelligent, and more honest and more imaginative” - insisting that the page isn’t a mirror, it’s a pressure chamber. Intelligence here isn’t IQ; it’s the hard-earned clarity that comes from making messy experience submit to sentences. Honesty isn’t moral purity; it’s the unglamorous discipline of admitting what actually happened, what you wanted, what you avoided. Imagination isn’t escapism; it’s the capacity to inhabit other minds without the cheap comfort of certainty.
The subtext is a quiet indictment of “other parts of their life,” where we get away with vagueness. Daily living rewards speed, charisma, and self-protection. Writing punishes those instincts. It forces a reckoning with cause and effect, with contradictions, with the ways we narrate ourselves into innocence. Banks’s “they” matters, too: he’s talking about ordinary people as much as literary elites, aligning with his long career of portraying working- and middle-class lives without condescension. In that context, writing becomes a democratic instrument of self-interrogation, a tool for people who aren’t usually granted the authority to be complicated.
And he frames it as “through that process,” not through inspiration. The point isn’t talent; it’s sustained confrontation. You become “more” because the work demands it - and because the page won’t let you bluff.
The subtext is a quiet indictment of “other parts of their life,” where we get away with vagueness. Daily living rewards speed, charisma, and self-protection. Writing punishes those instincts. It forces a reckoning with cause and effect, with contradictions, with the ways we narrate ourselves into innocence. Banks’s “they” matters, too: he’s talking about ordinary people as much as literary elites, aligning with his long career of portraying working- and middle-class lives without condescension. In that context, writing becomes a democratic instrument of self-interrogation, a tool for people who aren’t usually granted the authority to be complicated.
And he frames it as “through that process,” not through inspiration. The point isn’t talent; it’s sustained confrontation. You become “more” because the work demands it - and because the page won’t let you bluff.
Quote Details
| Topic | Writing |
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