"Thunder and lightning. I have never - never - skied in thunder and lightning. It was a trip, for sure"
About this Quote
It reads like a postcard from the edge of the frame: nature refusing to stay in the background while the human insists on play. Bauer stacks the sentence fragments - "Thunder and lightning" - like quick brushstrokes, then doubles down with "never - never", a stammer that feels less like fear than astonishment. The dash is doing emotional work here: it mimics breathlessness, the way adrenaline chops thought into pieces. And then the tonal pivot: "It was a trip, for sure". That casual, almost slangy closer (anachronistic or not) is a pressure valve, the mind trying to domesticate an experience too big to hold.
Coming from Bauer, an artist associated with Swedish folklore and dark, enchanted forests, the subtext is hard to miss: the sublime is not a metaphor, it is weather. Skiing in a storm collapses the usual hierarchy - the landscape is no longer something you traverse; it becomes an actor with agency, noise, and threat. The repetition of "never" signals a boundary crossed, a personal first that also hints at taboo: you are not supposed to be out there when the sky is throwing punches.
Context matters because Bauer's world was steeped in the Nordic outdoors, where beauty and danger share a border. Read against his short life and the era's romantic fascination with wildness, the line becomes less a brag than a report from someone briefly inside the kind of untamed scene he usually rendered from a safer distance. The intent is simple; the charge is existential: wonder, risk, and the thin, comic language we use to make the terrifying sound like a story.
Coming from Bauer, an artist associated with Swedish folklore and dark, enchanted forests, the subtext is hard to miss: the sublime is not a metaphor, it is weather. Skiing in a storm collapses the usual hierarchy - the landscape is no longer something you traverse; it becomes an actor with agency, noise, and threat. The repetition of "never" signals a boundary crossed, a personal first that also hints at taboo: you are not supposed to be out there when the sky is throwing punches.
Context matters because Bauer's world was steeped in the Nordic outdoors, where beauty and danger share a border. Read against his short life and the era's romantic fascination with wildness, the line becomes less a brag than a report from someone briefly inside the kind of untamed scene he usually rendered from a safer distance. The intent is simple; the charge is existential: wonder, risk, and the thin, comic language we use to make the terrifying sound like a story.
Quote Details
| Topic | Adventure |
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