"Thus, the poet's word is beginning to strike forcefully upon the hearts of all men, while absolute men of letters think that they alone live in the real world"
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A quiet provocation hides in Quasimodo's split-screen: the poet whose words finally land in "the hearts of all men", and the "absolute men of letters" who insist reality belongs to them. He is not praising poetry as decoration; he's claiming it as impact, as a force that bypasses the gatekeepers and reaches people where ideology, criticism, and credentials cannot.
The phrase "beginning to strike forcefully" matters. It suggests a late arrival, a delayed reckoning. Quasimodo wrote in a century where language had been conscripted by propaganda, bureaucracies, and manifestos. In that atmosphere, the poet is often treated as ornamental or naive. Quasimodo flips the hierarchy: the poet's word becomes the thing with real consequences because it restores contact with lived experience, with grief, fear, dignity, hunger - the stuff that mass politics and literary cliques both tend to abstract.
"Absolute men of letters" is a surgical insult. "Absolute" implies certainty hardened into posture: critics and intellectuals who confuse their interpretive machinery with the world itself. The subtext is not anti-intellectualism; it's anti-solipsism. Quasimodo is warning that literary culture can become a sealed room where the only reality is the one affirmed by other professionals.
Coming from an Italian Nobel laureate associated with Hermeticism - a movement often accused of being inward and obscure - the line is also self-corrective. It reads like an argument for poetry's ethical re-entry into public life: if the age is brutal and noisy, the poet's task is not to compete with volume, but to make words hit where defenses are weakest.
The phrase "beginning to strike forcefully" matters. It suggests a late arrival, a delayed reckoning. Quasimodo wrote in a century where language had been conscripted by propaganda, bureaucracies, and manifestos. In that atmosphere, the poet is often treated as ornamental or naive. Quasimodo flips the hierarchy: the poet's word becomes the thing with real consequences because it restores contact with lived experience, with grief, fear, dignity, hunger - the stuff that mass politics and literary cliques both tend to abstract.
"Absolute men of letters" is a surgical insult. "Absolute" implies certainty hardened into posture: critics and intellectuals who confuse their interpretive machinery with the world itself. The subtext is not anti-intellectualism; it's anti-solipsism. Quasimodo is warning that literary culture can become a sealed room where the only reality is the one affirmed by other professionals.
Coming from an Italian Nobel laureate associated with Hermeticism - a movement often accused of being inward and obscure - the line is also self-corrective. It reads like an argument for poetry's ethical re-entry into public life: if the age is brutal and noisy, the poet's task is not to compete with volume, but to make words hit where defenses are weakest.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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