"Time is the scarcity, and it's the commodity we can't create any more of"
About this Quote
Time shows up here not as a poetic mystery but as a brutally practical budget line: the one resource with no resupply chain. Coming from a director, the line lands like a production note disguised as philosophy. On set, you can find more money (or at least reshuffle it), rewrite a scene, recast a role, reshoot a take. What you cannot do is manufacture another hour in the day once the light is gone, the crew is fried, or the location permit expires. Mitchell’s phrasing drags “time” out of the self-help aisle and into the marketplace, calling it “scarcity” and “commodity” to strip away sentimentality.
The subtext is a critique of how we lie to ourselves about abundance. Modern culture treats time as flexible, something apps can “save” and hustle can “optimize.” Mitchell punctures that fantasy: efficiency doesn’t create time; it only reallocates attention. Even the “we” is pointed. It’s collective, almost accusatory, implicating not just the individual who procrastinates, but industries built on consuming attention and selling the illusion of more bandwidth.
The intent is also managerial: a quiet argument for prioritization. If time is the only non-renewable, then saying yes is never neutral; it’s a purchase made with the one currency you can’t earn back. For a director, that becomes an ethic: make the day count, because the clock is the one producer who never negotiates.
The subtext is a critique of how we lie to ourselves about abundance. Modern culture treats time as flexible, something apps can “save” and hustle can “optimize.” Mitchell punctures that fantasy: efficiency doesn’t create time; it only reallocates attention. Even the “we” is pointed. It’s collective, almost accusatory, implicating not just the individual who procrastinates, but industries built on consuming attention and selling the illusion of more bandwidth.
The intent is also managerial: a quiet argument for prioritization. If time is the only non-renewable, then saying yes is never neutral; it’s a purchase made with the one currency you can’t earn back. For a director, that becomes an ethic: make the day count, because the clock is the one producer who never negotiates.
Quote Details
| Topic | Time |
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