"To bare our souls is all we ask, to give all we have to life and the beings surrounding us. Here the nature spirits are intense and we appreciate them, make offerings to them - these nature spirits who call us here - sealing our fate with each other, celebrating our love"
About this Quote
There is no coyness in Alex Grey's spirituality: he wants full exposure, emotional and metaphysical. "To bare our souls" lands like a manifesto for intimacy in an age that often treats vulnerability as content and connection as a lifestyle accessory. Grey isn't describing a private epiphany so much as staging a ritual where love becomes an ecstatic technology: you "give all we have" not just to another person, but to "life and the beings surrounding us". The phrase quietly expands the relationship contract beyond the couple. Your commitment is co-signed by the world.
The subtext is classic Grey: the visible is never the whole story. "Nature spirits" aren't quaint folklore here; they're the animating presences that make a place feel charged, the sense that landscape has agency. When he says we "appreciate them, make offerings", he's borrowing the grammar of animist and Indigenous traditions, but filtering it through a contemporary, festival-adjacent mysticism where art, sex, devotion, and psychedelia often overlap. The offering isn't just incense or prayer. It's attention, surrender, the decision to treat environment as participant rather than backdrop.
"Sealing our fate with each other" flips romance into destiny, a deliberate submission to consequence. It's also a subtle rebuttal to modern autonomy-as-religion: Grey frames love as a binding, not a choice you keep optimizing. The line "these nature spirits who call us here" suggests the couple didn't merely find a location; they were summoned. Contextually, it fits an artist whose work visualizes the human body as a luminous network: love as circuitry, place as altar, the sacred as something you enter together and cannot leave unchanged.
The subtext is classic Grey: the visible is never the whole story. "Nature spirits" aren't quaint folklore here; they're the animating presences that make a place feel charged, the sense that landscape has agency. When he says we "appreciate them, make offerings", he's borrowing the grammar of animist and Indigenous traditions, but filtering it through a contemporary, festival-adjacent mysticism where art, sex, devotion, and psychedelia often overlap. The offering isn't just incense or prayer. It's attention, surrender, the decision to treat environment as participant rather than backdrop.
"Sealing our fate with each other" flips romance into destiny, a deliberate submission to consequence. It's also a subtle rebuttal to modern autonomy-as-religion: Grey frames love as a binding, not a choice you keep optimizing. The line "these nature spirits who call us here" suggests the couple didn't merely find a location; they were summoned. Contextually, it fits an artist whose work visualizes the human body as a luminous network: love as circuitry, place as altar, the sacred as something you enter together and cannot leave unchanged.
Quote Details
| Topic | Soulmate |
|---|---|
| Source | Help us find the source |
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