"To be famous, in fact, one has only to kill one's landlady"
About this Quote
Camus is writing out of a mid-century Europe steeped in anxiety about mass culture, the press, and the modern craving for significance. The “landlady” detail is key. It’s petty, domestic, almost comic - the sort of banal relationship that should never make history. By choosing a small, unglamorous victim, Camus needles the idea that fame is tied to grandeur. The horror isn’t only the murder; it’s that such a mean, cramped act could be enough to elevate someone into public consciousness. The machinery of attention will take anything combustible.
Underneath the provocation is Camus’s recurring suspicion: in an absurd world, people will grasp for meaning through extremes, even cruelty. If ordinary life feels mute, transgression becomes a shortcut to being “seen.” The line isn’t advice; it’s an indictment of a culture that rewards the sensational, and a warning about what happens when recognition becomes a substitute for purpose.
Quote Details
| Topic | Dark Humor |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Camus, Albert. (2026, January 15). To be famous, in fact, one has only to kill one's landlady. FixQuotes. https://fixquotes.com/quotes/to-be-famous-in-fact-one-has-only-to-kill-ones-22907/
Chicago Style
Camus, Albert. "To be famous, in fact, one has only to kill one's landlady." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/to-be-famous-in-fact-one-has-only-to-kill-ones-22907/.
MLA Style (9th ed.)
"To be famous, in fact, one has only to kill one's landlady." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/to-be-famous-in-fact-one-has-only-to-kill-ones-22907/. Accessed 13 Feb. 2026.









