"To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do"
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There is a quiet defiance hiding in Sandler's plainspoken humility: the insistence that the work came first, the verdicts came later, and maybe never deserved to come at all. He frames his origin story as pre-critical, almost pre-internet - a time when you could be "a young guy" chasing a craft without living inside the imagined courtroom of reviewers and comment sections. That matters because Sandler's career has basically been a long referendum on taste: wildly beloved by audiences, routinely dismissed by critics, and then, periodically, "rediscovered" as a serious actor when the right auteur points a camera at him.
The repetition of "I never thought" is doing rhetorical work. It's not just innocence; it's insulation. Sandler is describing a mental posture that protects momentum: if you start calculating prestige too early, you start auditioning for approval rather than for laughs. The line "I just wanted to get to do what I got to do" lands like a shrug, but it also doubles as a credo for his whole brand of comedy - unembarrassed silliness, committed physicality, a loyalty to the bit that doesn't wait for permission.
Subtextually, it's also a soft rebuke to the review-industrial complex. By claiming he didn't think about critics, he re-centers legitimacy in the act of doing and in the audience's direct response. It's an argument that in popular entertainment, the cleanest artistic engine is desire: wanting to make people laugh, wanting to perform, wanting to keep going - even when the room doesn't clap in the "right" places.
The repetition of "I never thought" is doing rhetorical work. It's not just innocence; it's insulation. Sandler is describing a mental posture that protects momentum: if you start calculating prestige too early, you start auditioning for approval rather than for laughs. The line "I just wanted to get to do what I got to do" lands like a shrug, but it also doubles as a credo for his whole brand of comedy - unembarrassed silliness, committed physicality, a loyalty to the bit that doesn't wait for permission.
Subtextually, it's also a soft rebuke to the review-industrial complex. By claiming he didn't think about critics, he re-centers legitimacy in the act of doing and in the audience's direct response. It's an argument that in popular entertainment, the cleanest artistic engine is desire: wanting to make people laugh, wanting to perform, wanting to keep going - even when the room doesn't clap in the "right" places.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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