"To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life"
About this Quote
Pater’s “hard, gem-like flame” is hedonism with a discipline problem solved. The phrase doesn’t gush; it cuts. “Flame” suggests passion, but “hard” and “gem-like” turn that passion into something faceted, controlled, almost mineral. He’s not selling sloppy indulgence. He’s arguing for intensity as an aesthetic practice: a life honed into moments of heightened perception, where sensation is not a guilty pleasure but the measure of meaning.
The subtext is quietly insurgent against Victorian moral bookkeeping. In a culture obsessed with duty, progress, and respectable narratives of self-improvement, Pater reframes “success” as private, interior, and basically non-transferable. It’s not social climbing or moral purity; it’s sustained aliveness. The provocation is in “maintain.” Ecstasy isn’t an accident here, it’s upkeep. That word smuggles in labor: attention, taste, self-curation, and a refusal to let habit blunt the senses.
Context matters: this comes out of The Renaissance (1873), the aesthetic movement’s manifesto-adjacent zone, where art’s purpose shifts from instruction to experience. Pater’s critics heard decadence; his admirers heard liberation. Either way, the line works because it compresses a whole philosophy into a tactile image: a flame you can see and a gem you can turn in your hand. It flatters the reader with a harder task than virtue: to live deliberately, intensely, and without outsourcing value to the crowd.
The subtext is quietly insurgent against Victorian moral bookkeeping. In a culture obsessed with duty, progress, and respectable narratives of self-improvement, Pater reframes “success” as private, interior, and basically non-transferable. It’s not social climbing or moral purity; it’s sustained aliveness. The provocation is in “maintain.” Ecstasy isn’t an accident here, it’s upkeep. That word smuggles in labor: attention, taste, self-curation, and a refusal to let habit blunt the senses.
Context matters: this comes out of The Renaissance (1873), the aesthetic movement’s manifesto-adjacent zone, where art’s purpose shifts from instruction to experience. Pater’s critics heard decadence; his admirers heard liberation. Either way, the line works because it compresses a whole philosophy into a tactile image: a flame you can see and a gem you can turn in your hand. It flatters the reader with a harder task than virtue: to live deliberately, intensely, and without outsourcing value to the crowd.
Quote Details
| Topic | Meaning of Life |
|---|---|
| Source | The Renaissance: Studies in Art and Poetry, Walter Pater, 1873 — contains the line "To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life." |
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