"To err is human, but it feels divine"
About this Quote
The intent isn’t just to celebrate misbehavior; it’s to expose how performative “virtue” can be, especially when women are the ones expected to embody it. West’s screen persona trafficked in double entendres and sexual autonomy during an era that policed both aggressively. Under the Production Code, desire had to be disguised, punished, or laughed off. West chooses laughter as camouflage and as weapon: if transgression is framed as comedy, it can slip past censors; if it’s framed as pleasure, it refuses the premise that “mistakes” must be paid for with shame.
Subtext: the divine isn’t heaven, it’s power. Feeling “divine” is feeling above judgment, momentarily untouchable. West’s joke lands because it flatters the audience’s private impulses while mocking the culture that insists those impulses are sins. It’s a one-line manifesto for her particular kind of modernity: the moral rulebook stays on the shelf, but the pleasure is real.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
West, Mae. (2026, January 15). To err is human, but it feels divine. FixQuotes. https://fixquotes.com/quotes/to-err-is-human-but-it-feels-divine-81825/
Chicago Style
West, Mae. "To err is human, but it feels divine." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/to-err-is-human-but-it-feels-divine-81825/.
MLA Style (9th ed.)
"To err is human, but it feels divine." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/to-err-is-human-but-it-feels-divine-81825/. Accessed 23 Feb. 2026.












