"To fall in love is to create a religion that has a fallible god"
About this Quote
Love doesn’t just intoxicate; it recruits. Borges frames romance as conversion, not courtship: you don’t merely admire another person, you build a whole metaphysical system around them. The brilliance is in the verb “create.” Love isn’t discovered like a fact; it’s authored like a story, with rituals (good-morning texts, anniversaries), doctrines (“they’re different”), and a private liturgy of memories that gets repeated until it feels inevitable. That’s Borges the poet-librarian: suggesting that what we call destiny is often just an aesthetic we’ve committed to.
Then he slides the blade in: “a fallible god.” Religions usually protect divinity from error; lovers do the opposite, insisting on the sacredness of someone who can forget, disappoint, leave, or simply change. The subtext is less anti-love than anti-idolatry. He’s diagnosing the psychological bargain: we demand transcendence from a human being and then act shocked when the miracle fails. The line also carries a faint, Borges-y irony about authorship and authority. If you make the god, you’re implicated in the eventual heresy; disillusionment isn’t a random tragedy, it’s built into the theology.
Context matters: Borges wrote in a century allergic to grand faiths and haunted by their consequences, and his work constantly probes how belief systems are constructed - by language, repetition, desire. Here, the “religion” of love becomes a miniature version of ideology: comforting, totalizing, and doomed to collide with reality. The quote works because it flatters and indicts at once, granting love its fervor while exposing its self-made altar.
Then he slides the blade in: “a fallible god.” Religions usually protect divinity from error; lovers do the opposite, insisting on the sacredness of someone who can forget, disappoint, leave, or simply change. The subtext is less anti-love than anti-idolatry. He’s diagnosing the psychological bargain: we demand transcendence from a human being and then act shocked when the miracle fails. The line also carries a faint, Borges-y irony about authorship and authority. If you make the god, you’re implicated in the eventual heresy; disillusionment isn’t a random tragedy, it’s built into the theology.
Context matters: Borges wrote in a century allergic to grand faiths and haunted by their consequences, and his work constantly probes how belief systems are constructed - by language, repetition, desire. Here, the “religion” of love becomes a miniature version of ideology: comforting, totalizing, and doomed to collide with reality. The quote works because it flatters and indicts at once, granting love its fervor while exposing its self-made altar.
Quote Details
| Topic | Love |
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