"To find a friend one must close one eye - to keep him, two"
About this Quote
Friendship, Douglas suggests, is less a discovery than a selective act of misreading. "To find a friend one must close one eye" frames intimacy as a willed blur: you squint past the minor vanities, the social clumsiness, the little hypocrisies that make most people unbearable at full resolution. Friendship begins where judgment agrees to take a seat.
Then he tightens the screw. "To keep him, two" isn’t just a cynical flourish; it’s an argument about maintenance. The first eye closed is generosity. The second is strategy. Keeping a friend requires not only forgiving flaws but also refusing certain truths, resisting the urge to litigate every slight, declining the intoxicating moral clarity of being right. Douglas points at the quiet labor of loyalty: the choice to leave some evidence uncollected, some conflicts unprosecuted.
The subtext is slightly bleak and distinctly modern: relationships survive on omissions. Douglas, a writer shaped by late-Victorian manners and early-20th-century disillusionment, is allergic to sentimental pieties about sincerity. He treats "honesty" as a virtue that can become a weapon, especially among people who mistake candor for character. The wit lands because it flips the usual moral hierarchy. We’re trained to think clear-eyed perception is maturity; Douglas implies it’s corrosive. Friendship, in his telling, isn’t built on perfect knowledge. It’s built on a mutually agreed-upon blind spot, a pact that says: I will not demand your full accounting if you won’t demand mine.
Then he tightens the screw. "To keep him, two" isn’t just a cynical flourish; it’s an argument about maintenance. The first eye closed is generosity. The second is strategy. Keeping a friend requires not only forgiving flaws but also refusing certain truths, resisting the urge to litigate every slight, declining the intoxicating moral clarity of being right. Douglas points at the quiet labor of loyalty: the choice to leave some evidence uncollected, some conflicts unprosecuted.
The subtext is slightly bleak and distinctly modern: relationships survive on omissions. Douglas, a writer shaped by late-Victorian manners and early-20th-century disillusionment, is allergic to sentimental pieties about sincerity. He treats "honesty" as a virtue that can become a weapon, especially among people who mistake candor for character. The wit lands because it flips the usual moral hierarchy. We’re trained to think clear-eyed perception is maturity; Douglas implies it’s corrosive. Friendship, in his telling, isn’t built on perfect knowledge. It’s built on a mutually agreed-upon blind spot, a pact that says: I will not demand your full accounting if you won’t demand mine.
Quote Details
| Topic | Funny Friendship |
|---|---|
| Source | Help us find the source |
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