"To fly we have to have resistance"
About this Quote
Resistance is the unglamorous ingredient Maya Lin smuggles into an image we usually treat as pure freedom. “To fly” sounds like escape velocity, weightlessness, the clean, heroic arc of lift-off. Lin yanks it back into physics: without drag, without pushback, you don’t get lift; you get drift. The line works because it refuses the self-help version of ambition. It’s not “overcome obstacles” so much as “obstacles are the mechanism.”
Coming from an architect, the metaphor sharpens. Architecture is literally the art of negotiating resistance: gravity, wind loads, budgets, zoning boards, materials that expand and crack, landscapes that refuse to behave like blank paper. Lin’s best-known work, the Vietnam Veterans Memorial, is a masterclass in that idea. It doesn’t “soar” by ignoring conflict; it becomes powerful by embedding it, cutting into the earth and letting the names do the heavy emotional lifting. The controversy around that memorial is its own kind of resistance, and it’s hard not to hear the quote as a quiet defense of making work that has friction with its audience before it finds its altitude.
Subtextually, Lin is also talking about creative and civic life: progress isn’t a frictionless glide path, it’s a series of constraints that generate form. In a culture hooked on effortless “optimization,” she’s arguing for the productive drag of limits, dissent, and reality itself. Without that, you’re not flying. You’re just floating.
Coming from an architect, the metaphor sharpens. Architecture is literally the art of negotiating resistance: gravity, wind loads, budgets, zoning boards, materials that expand and crack, landscapes that refuse to behave like blank paper. Lin’s best-known work, the Vietnam Veterans Memorial, is a masterclass in that idea. It doesn’t “soar” by ignoring conflict; it becomes powerful by embedding it, cutting into the earth and letting the names do the heavy emotional lifting. The controversy around that memorial is its own kind of resistance, and it’s hard not to hear the quote as a quiet defense of making work that has friction with its audience before it finds its altitude.
Subtextually, Lin is also talking about creative and civic life: progress isn’t a frictionless glide path, it’s a series of constraints that generate form. In a culture hooked on effortless “optimization,” she’s arguing for the productive drag of limits, dissent, and reality itself. Without that, you’re not flying. You’re just floating.
Quote Details
| Topic | Overcoming Obstacles |
|---|---|
| Source | Help us find the source |
More Quotes by Maya
Add to List










