"To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life"
About this Quote
Clark is picking a fight with speed, and he does it by making syntax feel mortal. A "fine, full sentence" isn’t just good writing technique here; it’s a miniature life: it rises, gathers complication, tilts toward resolution, and finally comes to rest. To "hurry through" that arc is framed as a kind of impiety, "defying the role of time in human life" as if time were not merely a schedule but the medium in which meaning happens.
The intent is partly aesthetic, partly ethical. Clark argues that attention is not optional decoration; it’s the price of admission to experience. The subtext is a critique of modern impatience - the habit of treating language as a delivery system for information rather than a form that trains perception. A long sentence asks you to inhabit delay, to tolerate suspense, to carry a thought across clauses without dropping it. That’s a discipline with cultural stakes: it builds the capacity to follow complexity instead of demanding instant payoff.
Context matters: Clark, as a critic and cultural historian, spent his career defending the slow technologies of civilization - painting, architecture, accumulated taste - against the flattening pressures of mass consumption. Read in that light, the sentence becomes a stand-in for tradition itself. You don’t race through it without losing what it was designed to give: cadence, proportion, and the quiet instruction that human life is not a series of bullet points.
The intent is partly aesthetic, partly ethical. Clark argues that attention is not optional decoration; it’s the price of admission to experience. The subtext is a critique of modern impatience - the habit of treating language as a delivery system for information rather than a form that trains perception. A long sentence asks you to inhabit delay, to tolerate suspense, to carry a thought across clauses without dropping it. That’s a discipline with cultural stakes: it builds the capacity to follow complexity instead of demanding instant payoff.
Context matters: Clark, as a critic and cultural historian, spent his career defending the slow technologies of civilization - painting, architecture, accumulated taste - against the flattening pressures of mass consumption. Read in that light, the sentence becomes a stand-in for tradition itself. You don’t race through it without losing what it was designed to give: cadence, proportion, and the quiet instruction that human life is not a series of bullet points.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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