"To me a book is a message from the gods to mankind; or, if not, should never be published at all"
About this Quote
Crowley’s line is a velvet-gloved threat: if a book doesn’t arrive with the force of revelation, it deserves the trash heap. He frames publishing not as commerce or craft but as ritual, and it’s a deliberately impossible standard. “Message from the gods” isn’t just a mystical flourish; it’s a power move. It turns the author into a medium, the reader into a congregation, and the act of reading into a test of faith. Crowley isn’t pleading for better books. He’s policing the gates.
The subtext is pure Crowley: elitist, theatrical, suspicious of the merely respectable. By adding “or, if not,” he admits the bluff - most books aren’t divine telegrams - then doubles down anyway. That pivot is the sentence’s engine. It’s both a sneer at the publishing churn of his time and an attempt to re-enchant a culture he saw as dulled by Victorian propriety, mass literacy, and polite mediocrity. The line functions like an occult maxim, but it’s also sharp cultural criticism: if print is going to claim authority, it should earn it.
Context matters. Crowley lived at the hinge between old certainties and modern disillusionment: world war, new media, the rise of pop entertainment, and the democratization of authorship. His response is not humility but escalation. He wants books to be dangerous again - to change the reader, not merely inform or amuse. It’s an aesthetic of extremity, and it reveals as much about his hunger for significance as about literature itself.
The subtext is pure Crowley: elitist, theatrical, suspicious of the merely respectable. By adding “or, if not,” he admits the bluff - most books aren’t divine telegrams - then doubles down anyway. That pivot is the sentence’s engine. It’s both a sneer at the publishing churn of his time and an attempt to re-enchant a culture he saw as dulled by Victorian propriety, mass literacy, and polite mediocrity. The line functions like an occult maxim, but it’s also sharp cultural criticism: if print is going to claim authority, it should earn it.
Context matters. Crowley lived at the hinge between old certainties and modern disillusionment: world war, new media, the rise of pop entertainment, and the democratization of authorship. His response is not humility but escalation. He wants books to be dangerous again - to change the reader, not merely inform or amuse. It’s an aesthetic of extremity, and it reveals as much about his hunger for significance as about literature itself.
Quote Details
| Topic | Book |
|---|---|
| Source | Help us find the source |
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