"To me that's what art is about - when you don't really have any control over your desires to do it"
About this Quote
Art, for Noah Taylor, isn’t a lifestyle brand or a tasteful act of self-expression. It’s compulsion. His phrasing tilts deliberately away from craft and toward appetite: “when you don’t really have any control” reframes making art as something that happens to you, not something you manage. That’s a pointed rebuke to the contemporary pressure to narrate creativity as disciplined hustle or curated “process.” Taylor describes the artist less as a visionary and more as someone haunted by a need.
The line also smuggles in a defense mechanism actors know well. Performance lives under external control: scripts, directors, edits, casting rooms. By defining art as the part you can’t regulate - the desire itself - Taylor relocates agency to the only place it can’t be taken away. You may not control the role, but you can’t fully extinguish the urge to make something. That’s both romantic and slightly grim: art as relapse, not choice.
Context matters: Taylor’s career sits in the terrain between prestige and cult oddity, where the “why” behind a project often looks irrational from the outside. This quote rationalizes that irrationality. It turns inconsistent filmography into coherence: the through-line isn’t strategic brand-building; it’s the inability to stop. Subtextually, it’s also a warning. If art is what you can’t control, it can be sustaining, but it can also be tyrannical - a force that demands payment in time, stability, and sometimes peace.
The line also smuggles in a defense mechanism actors know well. Performance lives under external control: scripts, directors, edits, casting rooms. By defining art as the part you can’t regulate - the desire itself - Taylor relocates agency to the only place it can’t be taken away. You may not control the role, but you can’t fully extinguish the urge to make something. That’s both romantic and slightly grim: art as relapse, not choice.
Context matters: Taylor’s career sits in the terrain between prestige and cult oddity, where the “why” behind a project often looks irrational from the outside. This quote rationalizes that irrationality. It turns inconsistent filmography into coherence: the through-line isn’t strategic brand-building; it’s the inability to stop. Subtextually, it’s also a warning. If art is what you can’t control, it can be sustaining, but it can also be tyrannical - a force that demands payment in time, stability, and sometimes peace.
Quote Details
| Topic | Art |
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