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Creativity Quote by Dennis Muren

"To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming"

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Muren’s line lands like a veteran magician letting you peek behind the curtain, then admitting the trapdoor might be gone. He’s not just reminiscing about Terminator 2 as a technical flex; he’s naming it as an industry hinge-point, the moment CGI stopped being a novelty cameo and became a believable actor. That’s why he pairs it with motion control on Star Wars: both are “infrastructure” breakthroughs. They didn’t merely create a single iconic shot; they changed what directors could plausibly attempt, and what audiences would accept as real.

The subtext is less triumphalist than it sounds. “Opened the door” is a euphemism for a sudden reordering of power: pipelines, budgets, studio expectations, and the quiet shift from practical limitations (what can physically be built) to computational ones (what can be simulated convincingly and delivered on schedule). By invoking Jurassic in the same breath, he’s tracing a direct lineage from ILM’s digital experiments to the blockbuster era’s visual-effects arms race.

Then comes the dagger: “I don’t see another big thing coming.” That’s not ignorance; it’s a diagnosis of maturity. Once a medium’s foundational problems are solved, progress turns incremental, invisible, absorbed into workflow. The statement also carries a hint of fatigue with hype cycles: audiences now demand spectacle as baseline, while the next revolution is harder to recognize because it won’t announce itself as a single film or a single technique. It may arrive as a quieter shift in production culture rather than a new kind of image.

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TopicTechnology
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Dennis Muren on VFX breakthroughs and industry shifts
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Dennis Muren (born November 1, 1946) is a Artist from USA.

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