"To put it in musician's terms, my chops are good"
About this Quote
A little brag, a little shrug: Cy Coleman turns self-assessment into backstage banter. “To put it in musician’s terms” is doing more than clarifying vocabulary; it’s a subtle gate. He’s telling you which tribe’s language matters here, and it’s the one that measures worth in repetition, stamina, and craft, not in mystique. “Chops” is a working musician’s word - blunt, physical, almost athletic. It’s about the daily grind: fingers, breath, timing, endurance. The phrase carries the faint metallic taste of practice rooms and late sets, not the velvet rope mythology of genius.
The line also telegraphs Coleman’s cultural position. As a Broadway composer who could actually play - and play well - he’s staking credibility in an ecosystem where “composer” can sometimes mean an ideas person buffered by arrangers, orchestrators, and session pros. Saying his chops are good is a way of insisting: I’m not just a suit with a melody; I’m fluent in the machinery. That matters in collaborative worlds like musical theater and studio work, where respect is earned by competence under pressure.
There’s humor in its modesty, too. “Good” is careful: confident without sounding grandiose, the kind of calibration musicians use to avoid tempting fate. Underneath, it’s a defense against the romantic narrative that talent floats above technique. Coleman is arguing, in one casual sentence, that art is also muscle.
The line also telegraphs Coleman’s cultural position. As a Broadway composer who could actually play - and play well - he’s staking credibility in an ecosystem where “composer” can sometimes mean an ideas person buffered by arrangers, orchestrators, and session pros. Saying his chops are good is a way of insisting: I’m not just a suit with a melody; I’m fluent in the machinery. That matters in collaborative worlds like musical theater and studio work, where respect is earned by competence under pressure.
There’s humor in its modesty, too. “Good” is careful: confident without sounding grandiose, the kind of calibration musicians use to avoid tempting fate. Underneath, it’s a defense against the romantic narrative that talent floats above technique. Coleman is arguing, in one casual sentence, that art is also muscle.
Quote Details
| Topic | Music |
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