"To think, and to feel, constitute the two grand divisions of men of genius - the men of reasoning and the men of imagination"
About this Quote
Disraeli is drawing a neat border that he knows is already porous: genius, he argues, comes in two flagship models, the thinkers and the feelers. The seduction is in the clean taxonomy. It flatters every ambitious reader by offering a ready-made seat at the table: you may not be both, but you can be one of the “grand divisions.” In an age hungry for systems, the line reads like an Enlightenment filing cabinet with a Romantic secret tucked inside.
The intent is less neutral description than cultural arbitration. By pairing “to think” with “to feel,” Disraeli stages an argument about authority: reason earns legitimacy through logic; imagination earns it through intensity. He isn’t merely classifying talent, he’s negotiating a truce between two competing ideas of what greatness should look like. The subtext is a defense of the imaginative mind against a world increasingly impressed by method, measurement, and public proofs. Calling both divisions “grand” keeps the peace while quietly insisting that feeling is not frivolous, but constitutive.
Context sharpens the stakes. Disraeli writes in the late 18th and early 19th century, when British intellectual life is pivoting from Enlightenment confidence to Romantic volatility. The period’s argument wasn’t just aesthetic; it was political and social: which kind of mind should lead modernity? The quote works because it offers a binary that feels clarifying, then invites the reader to test it against real figures who blur the categories. That tension is the engine: a classification that doubles as a provocation.
The intent is less neutral description than cultural arbitration. By pairing “to think” with “to feel,” Disraeli stages an argument about authority: reason earns legitimacy through logic; imagination earns it through intensity. He isn’t merely classifying talent, he’s negotiating a truce between two competing ideas of what greatness should look like. The subtext is a defense of the imaginative mind against a world increasingly impressed by method, measurement, and public proofs. Calling both divisions “grand” keeps the peace while quietly insisting that feeling is not frivolous, but constitutive.
Context sharpens the stakes. Disraeli writes in the late 18th and early 19th century, when British intellectual life is pivoting from Enlightenment confidence to Romantic volatility. The period’s argument wasn’t just aesthetic; it was political and social: which kind of mind should lead modernity? The quote works because it offers a binary that feels clarifying, then invites the reader to test it against real figures who blur the categories. That tension is the engine: a classification that doubles as a provocation.
Quote Details
| Topic | Reason & Logic |
|---|---|
| Source | Help us find the source |
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