Time & Perspective Quote by David Bowie

The sentence reads like logistics, but it’s really Bowie slipping you a thesis about creative gravity: some partnerships don’t end, they just go dormant until the calendar stops resisting. By naming Tony Visconti up front, Bowie frames collaboration as something with its own momentum and history, not a convenient hire. Visconti isn’t a neutral producer credit; he’s an era-shaper, the sonic co-author behind major chunks of Bowie’s most risk-hungry work. So “wanting to work together again” signals more than nostalgia. It’s an artist reaching back to a trusted accomplice when the next turn requires precision, not just vibes.

The phrasing is carefully unglamorous. “Fairly large commitments” and “couldn’t see a space” sound like two professionals discussing scheduling, but the subtext is about the scarcity of true creative bandwidth. Bowie is hinting that making something real isn’t about inspiration alone; it’s about clearing psychic and practical room in a life designed to stay full. The passive construction (“we couldn’t see a space”) also subtly avoids blame. No dramatic fallout, no mythic reunion story - just time, work, and an opening finally appearing.

Contextually, this fits late-period Bowie: strategic, private, and outcome-focused. He’s not selling a comeback as destiny; he’s presenting it as the result of patience and intention. That restraint is the point. When Bowie talks like a project manager, it’s often because he’s about to do something that sounds nothing like management.