"Traditional copyright has been that you can't make a full copy of somebody's work without their permission"
About this Quote
A seemingly mild definition, delivered like a civics lesson, doubles as a warning shot: the old bargain is being destabilized. Patricia Schroeder frames copyright in plain, almost homespun terms - “traditional,” “full copy,” “permission” - and that simplicity is the point. She’s invoking a baseline rule ordinary people recognize, not a maze of statutes. In a policy fight, that move is power: it shifts the argument away from industry jargon and toward a commonsense moral intuition about consent and control.
The subtext is that technology has made “full copy” both effortless and ambiguously defined. In the analog era, copying carried friction; in the digital era, reproduction is native to the medium, from buffering to backups. By leaning on “traditional,” Schroeder quietly acknowledges that law is lagging and that the culture is testing boundaries. She’s also signaling that the debate is not really about whether creators deserve rights - it’s about what counts as copying when every use can involve a copy.
As a leader with deep ties to arts advocacy and copyright policymaking, Schroeder’s intent reads as defensive and strategic: reassert the legitimacy of permission in a moment when “information wants to be free” rhetoric was cresting. The quote doesn’t argue nuance; it stakes out a line. It works because it sounds like a modest reminder while carrying the weight of a broader claim: if society stops treating permission as the default, the economic and ethical architecture supporting creative work starts to buckle.
The subtext is that technology has made “full copy” both effortless and ambiguously defined. In the analog era, copying carried friction; in the digital era, reproduction is native to the medium, from buffering to backups. By leaning on “traditional,” Schroeder quietly acknowledges that law is lagging and that the culture is testing boundaries. She’s also signaling that the debate is not really about whether creators deserve rights - it’s about what counts as copying when every use can involve a copy.
As a leader with deep ties to arts advocacy and copyright policymaking, Schroeder’s intent reads as defensive and strategic: reassert the legitimacy of permission in a moment when “information wants to be free” rhetoric was cresting. The quote doesn’t argue nuance; it stakes out a line. It works because it sounds like a modest reminder while carrying the weight of a broader claim: if society stops treating permission as the default, the economic and ethical architecture supporting creative work starts to buckle.
Quote Details
| Topic | Writing |
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