"Try to meet as many authors, agents, and editors as you can"
About this Quote
Networking advice always sounds painfully bland until you remember what publishing actually is: a human-scale industry with a thousand gatekeepers, favors, tastes, and half-remembered conversations. Walter Jon Williams, speaking as a working writer rather than a brand-name guru, is pointing at the unglamorous truth behind “talent gets noticed.” Talent gets noticed when it’s attached to a face, a reputation, and a trail of low-stakes interactions that make your name feel familiar instead of risky.
The specific intent is tactical: widen your surface area for opportunity. Meeting “authors, agents, and editors” isn’t random social collecting; it’s triangulation across the ecosystem. Authors tip you off to who’s actually responsive, which agents are hungry, which editors have changing mandates. Agents evaluate whether you’re professional and persistent. Editors, even when they can’t buy your work, remember competence - and they trade information with each other.
The subtext is less cozy: publishing runs on trust because it runs on uncertainty. No one can fully predict what will sell, what will land, or what will arrive clean and on time. So the industry substitutes proxies: social proof, reliability, and personal rapport. “As many as you can” hints at the odds game. Most meetings won’t convert. A few will, years later, in some unexpected form: an invitation to submit, a blurb, a referral, a second look after a near-miss.
Context matters, too. Williams comes out of genre communities where conventions, workshops, and shared bills create real career infrastructure. The line reads like craft advice, but it’s also labor advice: show up, be legible, be remembered.
The specific intent is tactical: widen your surface area for opportunity. Meeting “authors, agents, and editors” isn’t random social collecting; it’s triangulation across the ecosystem. Authors tip you off to who’s actually responsive, which agents are hungry, which editors have changing mandates. Agents evaluate whether you’re professional and persistent. Editors, even when they can’t buy your work, remember competence - and they trade information with each other.
The subtext is less cozy: publishing runs on trust because it runs on uncertainty. No one can fully predict what will sell, what will land, or what will arrive clean and on time. So the industry substitutes proxies: social proof, reliability, and personal rapport. “As many as you can” hints at the odds game. Most meetings won’t convert. A few will, years later, in some unexpected form: an invitation to submit, a blurb, a referral, a second look after a near-miss.
Context matters, too. Williams comes out of genre communities where conventions, workshops, and shared bills create real career infrastructure. The line reads like craft advice, but it’s also labor advice: show up, be legible, be remembered.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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