"Trying different things is very important to me. I see people and want to wear their clothes and drive in their cars for awhile. That's probably one reason I became an actor"
About this Quote
Ward frames acting less as art-for-art's-sake and more as sanctioned trespassing. The telling verb is "wear" - not admire, not buy, but inhabit. He describes desire as tactile and temporary: the thrill of trying on other people's surfaces (clothes, cars) without the lifelong invoice of actually becoming them. For an actor, that's not a guilty impulse; it's the job description.
There's a sly honesty in the way he links everyday coveting to performance. Most celebrity origin stories insist on destiny or calling. Ward shrugs and admits something closer to curiosity with a streak of envy - the kind that looks at a stranger's leather jacket or keys and imagines a parallel life. The subtext is that identity is porous, and maybe even a little consumerist: we learn who we are by sampling other people's props. Clothes and cars are classic status signals, so his "for awhile" reads like a critique of how much of adulthood is costume and transportation as personality.
Context matters here: Ward came up as a character actor, a career built on plausibility rather than glamour. His line defends that craft. He isn't promising transcendence; he's promising access. Acting becomes a socially acceptable way to trespass across class, temperament, and taste, then return to yourself with souvenirs. It's a blunt, almost mischievous admission that the engine behind transformation isn't always noble empathy. Sometimes it's simple: I want to see what it feels like to be you, and I want the freedom to give it back.
There's a sly honesty in the way he links everyday coveting to performance. Most celebrity origin stories insist on destiny or calling. Ward shrugs and admits something closer to curiosity with a streak of envy - the kind that looks at a stranger's leather jacket or keys and imagines a parallel life. The subtext is that identity is porous, and maybe even a little consumerist: we learn who we are by sampling other people's props. Clothes and cars are classic status signals, so his "for awhile" reads like a critique of how much of adulthood is costume and transportation as personality.
Context matters here: Ward came up as a character actor, a career built on plausibility rather than glamour. His line defends that craft. He isn't promising transcendence; he's promising access. Acting becomes a socially acceptable way to trespass across class, temperament, and taste, then return to yourself with souvenirs. It's a blunt, almost mischievous admission that the engine behind transformation isn't always noble empathy. Sometimes it's simple: I want to see what it feels like to be you, and I want the freedom to give it back.
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