"Two dangers constantly threaten the world: order and disorder"
About this Quote
Valery’s line lands like a paradox because it refuses the comforting idea that stability is the antidote to chaos. He frames “order” and “disorder” as twin threats, not opposites in a moral fable. That’s the trick: the sentence is balanced, almost classical in its symmetry, but the message is suspicious of classical solutions. It reads like a poet watching politics borrow the language of hygiene: clean up the mess, restore order, disinfect the future. Valery’s warning is that “order” can harden into a system that mistakes compliance for health and calls its own rigidity virtue. In that mode, order doesn’t merely prevent catastrophe; it manufactures it slowly, through repression, technocratic arrogance, or the dull violence of enforced normalcy.
But he doesn’t romanticize the mess either. “Disorder” is not liberation; it’s entropy, volatility, the kind of social unraveling that invites strongmen, panics markets, and turns public life into improvisation. The subtext is cyclical: too much order breeds brittle structures that shatter; too much disorder generates the craving for an iron framework. Each danger recruits the other as justification.
Context matters. Valery lived through the First World War and the anxious interwar years when Europe oscillated between exhausted democratic procedures, revolutionary agitation, and the rise of authoritarian “order” as a brand. The line compresses that era’s nervous insight: modernity isn’t threatened by one monster, but by a pendulum swing between two. The real peril is mistaking either extreme for salvation.
But he doesn’t romanticize the mess either. “Disorder” is not liberation; it’s entropy, volatility, the kind of social unraveling that invites strongmen, panics markets, and turns public life into improvisation. The subtext is cyclical: too much order breeds brittle structures that shatter; too much disorder generates the craving for an iron framework. Each danger recruits the other as justification.
Context matters. Valery lived through the First World War and the anxious interwar years when Europe oscillated between exhausted democratic procedures, revolutionary agitation, and the rise of authoritarian “order” as a brand. The line compresses that era’s nervous insight: modernity isn’t threatened by one monster, but by a pendulum swing between two. The real peril is mistaking either extreme for salvation.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Unverified source: Variété (Paul Valery, 1924)
Evidence: In the essay "La Crise de l’esprit" (often paginated as p. 20 in the 1934 Éditions du Sagittaire / NRF "Variété I" volume; exact page varies by edition). Primary French wording appears as: « Il chancelle entre les deux abîmes, car deux dangers ne cessent de menacer le monde : l’ordre et le désord... Other candidates (2) The Complexity Trap (Stephanie Borgert, 2017) compilation95.0% ... Two dangers constantly threaten the world: order and disorder.” PAUL VALÉRY How we perceive and recall the world ... Advertising (Paul Valery) compilation40.0% tial meaninglessness of all creations of the mind words images and ideas the rea |
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