"Universal was absolutely marvelous about sitting down with me and listening to my input. It wasn't something where they chose a bunch of songs that were best sellers. They did a marvelous job on the packaging. It's a beautiful tribute"
About this Quote
There is a quiet politics in how Rita Coolidge praises a record label: it reads like gratitude, but it also doubles as a boundary-setting statement about authorship. When she emphasizes that Universal "sat down with me and listened to my input", she’s not just complimenting corporate courtesy; she’s flagging how rare that respect can be for legacy artists, especially women whose catalogs were often curated by men in suits with a spreadsheet. The sentence is built around relief: this wasn’t the usual exercise in turning a life’s work into an algorithm-friendly "best sellers" package.
Coolidge’s choice of "marvelous" twice is telling. It’s warm, almost old-school, but it also works as a soft insistence: what should be standard practice gets framed as exceptional treatment. That reveals the subtext of an industry that frequently treats veteran musicians as assets to be monetized, not collaborators with taste, memory, and intent.
Then comes the pivot to "packaging", a word that can sound crass in other mouths but here becomes a stand-in for dignity: liner notes, sequencing, visuals, the story a box set tells about who mattered and why. "Beautiful tribute" finishes the thought in a register closer to memorial than marketing, positioning the release as recognition, not extraction. In context, it’s a savvy, generous endorsement that also nudges the industry toward a better norm: if you’re going to reintroduce an artist to the world, let the artist help decide what that world should hear.
Coolidge’s choice of "marvelous" twice is telling. It’s warm, almost old-school, but it also works as a soft insistence: what should be standard practice gets framed as exceptional treatment. That reveals the subtext of an industry that frequently treats veteran musicians as assets to be monetized, not collaborators with taste, memory, and intent.
Then comes the pivot to "packaging", a word that can sound crass in other mouths but here becomes a stand-in for dignity: liner notes, sequencing, visuals, the story a box set tells about who mattered and why. "Beautiful tribute" finishes the thought in a register closer to memorial than marketing, positioning the release as recognition, not extraction. In context, it’s a savvy, generous endorsement that also nudges the industry toward a better norm: if you’re going to reintroduce an artist to the world, let the artist help decide what that world should hear.
Quote Details
| Topic | Music |
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