"Unless it's an emergency, don't bother me after 6:00 p.m. and on weekends"
About this Quote
A hard 6:00 p.m. cutoff from an entertainer reads like a punchline with teeth. Merv Griffin built a career on making access look effortless: the genial host, the always-on ringmaster, the guy who could glide from banter to business without breaking a sweat. So when he draws a boundary this blunt, it lands as both workplace policy and quiet rebellion against the expectation that “show people” are permanently available.
The intent is practical - protect time, preserve energy, keep the machine running. But the subtext is sharper: your urgency is not automatically his emergency. In an industry that thrives on favors, late-night calls, and the myth that success requires constant responsiveness, Griffin’s line works as a status signal. Only someone with real leverage can afford to be this unromantic about access. It’s a reminder that celebrity often means other people treating your attention like a public utility; the boundary turns attention back into private property.
Context matters, too. Griffin wasn’t just talent; he was an operator with ownership stakes and a producer’s calendar. That dual identity - performer and executive - makes the quote feel less like diva behavior and more like a CEO’s rule disguised as a quip. It also foreshadows a now-familiar cultural fight: the right to disconnect. Before Slack and smartphones made work omnivorous, Griffin was already insisting that life doesn’t have to be scheduled like television. The humor is in the simplicity; the power is in the refusal.
The intent is practical - protect time, preserve energy, keep the machine running. But the subtext is sharper: your urgency is not automatically his emergency. In an industry that thrives on favors, late-night calls, and the myth that success requires constant responsiveness, Griffin’s line works as a status signal. Only someone with real leverage can afford to be this unromantic about access. It’s a reminder that celebrity often means other people treating your attention like a public utility; the boundary turns attention back into private property.
Context matters, too. Griffin wasn’t just talent; he was an operator with ownership stakes and a producer’s calendar. That dual identity - performer and executive - makes the quote feel less like diva behavior and more like a CEO’s rule disguised as a quip. It also foreshadows a now-familiar cultural fight: the right to disconnect. Before Slack and smartphones made work omnivorous, Griffin was already insisting that life doesn’t have to be scheduled like television. The humor is in the simplicity; the power is in the refusal.
Quote Details
| Topic | Work-Life Balance |
|---|---|
| Source | Help us find the source |
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