"Usually a poem takes shape accoustically - a line or a pair of lines will repeat itself in my ear"
About this Quote
Poetry, for Thomas Lynch, is less a page than a pressure in the air. The verb choice matters: a poem "takes shape" the way policy does in a backroom or a campaign bus, not as a pristine idea but as something you can hear before you can hold it. That acoustic origin story quietly demotes the poet-as-mastermind and elevates the poet-as-listener. Inspiration isn’t lightning; it’s a refrain that won’t stop knocking.
Labeling Lynch a politician sharpens the subtext. Politics is a profession of ear-work: catching cadence, testing what lands, repeating what sticks. His line admits, maybe even defends, the central mechanism of public speech - iteration. A "line or a pair of lines" repeats itself until it becomes message, until it becomes memory. That’s not far from the way slogans, sound bites, and stump lines are engineered to lodge in the electorate’s head. He’s describing a creative process, but he’s also revealing a theory of persuasion: rhythm precedes reason.
The misspelling of "acoustically" (accoustically) is its own small tell. It suggests the thought is closer to spoken testimony than polished literary pronouncement, more ear than eye. In a media ecosystem that rewards instant quotability, Lynch hints at something older and more bodily: language as something you hear internally before you deploy it publicly. The intent isn’t mysticism; it’s craft. The poem begins as a recurring sound because repetition is how humans decide what matters.
Labeling Lynch a politician sharpens the subtext. Politics is a profession of ear-work: catching cadence, testing what lands, repeating what sticks. His line admits, maybe even defends, the central mechanism of public speech - iteration. A "line or a pair of lines" repeats itself until it becomes message, until it becomes memory. That’s not far from the way slogans, sound bites, and stump lines are engineered to lodge in the electorate’s head. He’s describing a creative process, but he’s also revealing a theory of persuasion: rhythm precedes reason.
The misspelling of "acoustically" (accoustically) is its own small tell. It suggests the thought is closer to spoken testimony than polished literary pronouncement, more ear than eye. In a media ecosystem that rewards instant quotability, Lynch hints at something older and more bodily: language as something you hear internally before you deploy it publicly. The intent isn’t mysticism; it’s craft. The poem begins as a recurring sound because repetition is how humans decide what matters.
Quote Details
| Topic | Poetry |
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