"Versatility of education can be found in our best poetry, but the depth of mankind should be found in the philosopher"
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Schlegel draws a bright line between two kinds of intellectual prestige: poetry as a showroom of educated agility, philosophy as the deep core sample of what a human being is. Coming from a Romantic-era poet-critic, that’s not self-deprecation so much as a strategic rearranging of the hierarchy. He’s granting poetry a glamorous strength, but he’s also boxing it in: poetry dazzles with range, with the ability to metabolize history, myth, science, and feeling into form. “Versatility of education” is praise laced with suspicion. It hints that poets can become virtuosos of culture without necessarily reaching the hard, unpleasant questions underneath it.
Then he pivots to “the depth of mankind,” a phrase that carries the Romantic obsession with inwardness, the abyss of the self, the moral and metaphysical stakes of modern life. Schlegel’s subtext is that philosophy earns its authority not by ornament or breadth but by confrontation: with limits, with contradiction, with what refuses to be made beautiful. In the early 19th century, when German thinkers were trying to build grand systems (Kant’s aftershocks, Fichte, Schelling, Hegel in the wings), philosophy wasn’t a campus department; it was a cultural engine.
There’s also a quiet provocation here. Schlegel helped argue that criticism and philosophy could be creative acts; he doesn’t simply demote poetry. He challenges poets to aspire beyond polish and allusion, and he challenges philosophers to actually deserve their claimed access to “mankind” rather than hide behind abstraction. The line flatters both camps while daring each to admit what it lacks.
Then he pivots to “the depth of mankind,” a phrase that carries the Romantic obsession with inwardness, the abyss of the self, the moral and metaphysical stakes of modern life. Schlegel’s subtext is that philosophy earns its authority not by ornament or breadth but by confrontation: with limits, with contradiction, with what refuses to be made beautiful. In the early 19th century, when German thinkers were trying to build grand systems (Kant’s aftershocks, Fichte, Schelling, Hegel in the wings), philosophy wasn’t a campus department; it was a cultural engine.
There’s also a quiet provocation here. Schlegel helped argue that criticism and philosophy could be creative acts; he doesn’t simply demote poetry. He challenges poets to aspire beyond polish and allusion, and he challenges philosophers to actually deserve their claimed access to “mankind” rather than hide behind abstraction. The line flatters both camps while daring each to admit what it lacks.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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