"Very often out of adversity that's when the best work comes"
About this Quote
Adversity, in Tom Cochrane's telling, isn’t a tasteful backdrop for inspiration; it’s a power source. Coming from a working musician - someone whose career is built on volatile economies, fickle audiences, and the slow grind between breakthroughs - the line lands less like a motivational poster and more like a field report. It’s the voice of a writer who knows deadlines don’t care about your mood, and that a cracked life often yields the most usable material.
The intent is practical and self-preserving: reframe hardship as an input rather than a derailment. That matters culturally because pop music has always monetized vulnerability while pretending it arrived naturally, like genius in a lightning storm. Cochrane punctures that myth. He implies that pressure does what comfort can’t: it clarifies what’s urgent, strips away ornamental choices, forces a cleaner emotional signal. When you’re cornered - by grief, money, failure, addiction, illness, the general chaos of being alive - you either go numb or you make something. He’s arguing for the second option, not as heroism but as craft.
The subtext is also a quiet permission slip. If you’re struggling, you’re not disqualified from making art; you might be closer to it. In an era that sells "wellness" as a prerequisite for productivity, Cochrane flips the script: the mess can be the studio, the setback can be the catalyst, and the best work might be the one you make while you’re still climbing out.
The intent is practical and self-preserving: reframe hardship as an input rather than a derailment. That matters culturally because pop music has always monetized vulnerability while pretending it arrived naturally, like genius in a lightning storm. Cochrane punctures that myth. He implies that pressure does what comfort can’t: it clarifies what’s urgent, strips away ornamental choices, forces a cleaner emotional signal. When you’re cornered - by grief, money, failure, addiction, illness, the general chaos of being alive - you either go numb or you make something. He’s arguing for the second option, not as heroism but as craft.
The subtext is also a quiet permission slip. If you’re struggling, you’re not disqualified from making art; you might be closer to it. In an era that sells "wellness" as a prerequisite for productivity, Cochrane flips the script: the mess can be the studio, the setback can be the catalyst, and the best work might be the one you make while you’re still climbing out.
Quote Details
| Topic | Overcoming Obstacles |
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