"War is a perversion of sex"
About this Quote
Moore’s line lands like a dirty joke told with a straight face: it’s meant to offend the polite separation we keep between the bedroom and the battlefield. Calling war “a perversion of sex” isn’t just provocation; it’s an accusation about misdirected human energy. Sex, at its best, is mutuality, vulnerability, creation. War takes the same raw drives - aggression, desire, ritual, the appetite to possess - and routes them through institutions that sanitize killing with flags, uniforms, and euphemisms.
The intent is surgical: strip war of its heroic costume and reveal it as a corrupted intimacy. Notice the grammar. War isn’t “like” a perversion; it is one. That certainty is part of Moore’s broader project as a writer who distrusts official narratives and exposes the fetish objects of power: the costume, the badge, the gun, the myth. In his world, violence is rarely just strategic; it’s theatrical, eroticized, and sold.
The subtext is also about spectatorship. Modern war depends on an audience trained to feel thrill without touch, climax without consequence: the high of domination, the pornographic close-up of destruction, the moral distance that makes it consumable. If sex can be warped into exploitation, Moore suggests, so can patriotism: a state-sponsored kink where consent is replaced by propaganda and bodies become props.
Context matters. Moore wrote through the Cold War hangover and the media-saturated conflicts that followed, when war became both permanent policy and entertainment product. The quote works because it doesn’t argue policy; it punctures the libido of militarism.
The intent is surgical: strip war of its heroic costume and reveal it as a corrupted intimacy. Notice the grammar. War isn’t “like” a perversion; it is one. That certainty is part of Moore’s broader project as a writer who distrusts official narratives and exposes the fetish objects of power: the costume, the badge, the gun, the myth. In his world, violence is rarely just strategic; it’s theatrical, eroticized, and sold.
The subtext is also about spectatorship. Modern war depends on an audience trained to feel thrill without touch, climax without consequence: the high of domination, the pornographic close-up of destruction, the moral distance that makes it consumable. If sex can be warped into exploitation, Moore suggests, so can patriotism: a state-sponsored kink where consent is replaced by propaganda and bodies become props.
Context matters. Moore wrote through the Cold War hangover and the media-saturated conflicts that followed, when war became both permanent policy and entertainment product. The quote works because it doesn’t argue policy; it punctures the libido of militarism.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Moore, Alan. (2026, January 16). War is a perversion of sex. FixQuotes. https://fixquotes.com/quotes/war-is-a-perversion-of-sex-96921/
Chicago Style
Moore, Alan. "War is a perversion of sex." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/war-is-a-perversion-of-sex-96921/.
MLA Style (9th ed.)
"War is a perversion of sex." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/war-is-a-perversion-of-sex-96921/. Accessed 11 Feb. 2026.
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