"We all dream a lot - some are lucky, some are not. But if you think it, want it, dream it, then it's real. You are what you feel"
About this Quote
Rice writes like someone who has spent a career turning wishful thinking into something you can sing on the way to work. The opening shrug - "We all dream a lot" - levels the room: nobody gets to claim a monopoly on imagination. Then he cuts in with the quiet sting of fairness denied: "some are lucky, some are not". It reads less like self-help than like backstage truth from the entertainment world, where talent is common, desire is cheap, and the gatekeepers are real.
The quote’s pivot is the most theatrical move: "But if you think it, want it, dream it, then it's real". Rice isn’t arguing that fantasies materialize on command; he’s arguing that interior life counts as a form of reality, because it dictates behavior. In songwriting terms, belief is the engine that turns a private ache into an external action, a chorus, a leap. The subtext is pragmatic: you can’t control luck, but you can control commitment. Dreaming becomes a rehearsal for becoming.
"You are what you feel" is the closer, and it lands because it refuses the tidy comfort of "you are what you do". Feelings here aren’t indulgent; they’re identity-forming. For an artist, emotion is labor. For everyone else, it’s a reminder that the most consequential thing in the room is often the story in your head - the one that decides what risks you take, what you tolerate, and what you dare to call possible.
The quote’s pivot is the most theatrical move: "But if you think it, want it, dream it, then it's real". Rice isn’t arguing that fantasies materialize on command; he’s arguing that interior life counts as a form of reality, because it dictates behavior. In songwriting terms, belief is the engine that turns a private ache into an external action, a chorus, a leap. The subtext is pragmatic: you can’t control luck, but you can control commitment. Dreaming becomes a rehearsal for becoming.
"You are what you feel" is the closer, and it lands because it refuses the tidy comfort of "you are what you do". Feelings here aren’t indulgent; they’re identity-forming. For an artist, emotion is labor. For everyone else, it’s a reminder that the most consequential thing in the room is often the story in your head - the one that decides what risks you take, what you tolerate, and what you dare to call possible.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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