"We all suffer from the preoccupation that there exists... in the loved one, perfection"
About this Quote
Romance doesn’t just inflate a person; it edits them. Poitier’s line is blunt about the trick our minds pull when we’re in love: we don’t merely admire, we manufacture “perfection” and then behave as if we’ve discovered a fact rather than staged a fantasy. The key word is “preoccupation” - not belief, not hope. It’s a mental habit that crowds out competing evidence, a kind of tunnel vision that feels like devotion but often functions like denial.
Coming from Poitier, the intent lands with a particular moral clarity. His public persona, forged in an era when Black actors were asked to embody dignity under pressure, often carried the burden of being exemplary. He knew what it meant to be turned into an icon - to have a complicated human being flattened into an idea people could safely adore. The quote quietly reverses that dynamic: it’s not that the loved one deceives us; we do the sculpting. We suffer from our own projection.
The subtext is less anti-romance than anti-illusion. Poitier isn’t scolding love; he’s warning about the costs of idealization: the silent contract where the beloved must stay perfect to remain lovable. That’s where “suffer” bites. Perfection sets a trap for both people - one must perform, the other must keep ignoring the cracks. In a culture that sells love as a glossy before-and-after, Poitier’s sentence reads like an actor’s backstage note: the close-up is flattering, but it’s still lighting.
Coming from Poitier, the intent lands with a particular moral clarity. His public persona, forged in an era when Black actors were asked to embody dignity under pressure, often carried the burden of being exemplary. He knew what it meant to be turned into an icon - to have a complicated human being flattened into an idea people could safely adore. The quote quietly reverses that dynamic: it’s not that the loved one deceives us; we do the sculpting. We suffer from our own projection.
The subtext is less anti-romance than anti-illusion. Poitier isn’t scolding love; he’s warning about the costs of idealization: the silent contract where the beloved must stay perfect to remain lovable. That’s where “suffer” bites. Perfection sets a trap for both people - one must perform, the other must keep ignoring the cracks. In a culture that sells love as a glossy before-and-after, Poitier’s sentence reads like an actor’s backstage note: the close-up is flattering, but it’s still lighting.
Quote Details
| Topic | Love |
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