"We also have a cultural phenomenon: the emergence of a global culture, or of cultural globalization"
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Berger’s phrasing is doing the sociologist’s classic double move: it sounds like a neutral description, but it quietly warns you that something big is being smuggled in under the word “culture.” By calling it a “phenomenon,” he frames globalization not as a policy choice or a market outcome, but as a lived social fact - something you bump into in food courts, pop music, office etiquette, and the way English becomes default interface. Then he adds a pivot: “the emergence of a global culture, or of cultural globalization.” That “or” matters. It signals an unresolved question: are we witnessing a single, coherent culture coming into being, or an ongoing process that reorganizes existing cultures without fully replacing them?
The subtext is Berger’s skepticism toward easy grand narratives. “Global culture” sounds like a finished product, a new common civilization. “Cultural globalization” sounds messier: flows, hybrids, frictions, uneven power. He’s inviting the reader to notice the difference between homogenization (the same brands, the same aspirations) and integration (shared reference points that still land differently in Lagos than in Los Angeles).
Contextually, Berger wrote in the era when satellite TV, multinational corporations, NGOs, and post-Cold War triumphalism made the world feel newly synchronized. Yet as a scholar of modernity and pluralism, he’s also flagging the backlash built into the story: the more “global” culture advertises itself as normal, the more local identities can harden in response. The line works because it’s understated while pointing at a cultural earthquake - and because it refuses to pretend the earthquake has only one shape.
The subtext is Berger’s skepticism toward easy grand narratives. “Global culture” sounds like a finished product, a new common civilization. “Cultural globalization” sounds messier: flows, hybrids, frictions, uneven power. He’s inviting the reader to notice the difference between homogenization (the same brands, the same aspirations) and integration (shared reference points that still land differently in Lagos than in Los Angeles).
Contextually, Berger wrote in the era when satellite TV, multinational corporations, NGOs, and post-Cold War triumphalism made the world feel newly synchronized. Yet as a scholar of modernity and pluralism, he’s also flagging the backlash built into the story: the more “global” culture advertises itself as normal, the more local identities can harden in response. The line works because it’s understated while pointing at a cultural earthquake - and because it refuses to pretend the earthquake has only one shape.
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