"We are a country of excess. So it's not the violence, per se, but the exacerbation and constant repetition"
About this Quote
America doesn't just do problems; it does them in widescreen, on loop. Norman Lear's line lands like a producer's diagnosis of the medium he helped define: the issue isn't violence as a discrete act, it's the way American culture amplifies it until it becomes ambiance. "Country of excess" is doing double duty here. It's a critique of national appetite (more spectacle, more outrage, more everything) and a quiet jab at the machinery that feeds it: television, advertising, now the algorithmic churn that Lear didn't invent but would instantly recognize.
His phrasing is calibrated. "Not the violence, per se" rejects the tidy culture-war fight about whether violence exists in entertainment at all. Lear sidesteps moral panic and aims at something more structural: "exacerbation and constant repetition" as the true accelerant. Exacerbation suggests escalation for attention - making it louder, sharper, more legible in a crowded marketplace. Constant repetition speaks to desensitization and normalization: the loop that turns shock into familiarity, then into expectation.
The subtext is Lear's lifelong argument that TV isn't just a mirror; it's a mixer. The stories we mass-produce don't merely reflect social anxieties, they set the emotional thermostat. Coming from the architect of boundary-pushing sitcoms, the critique isn't anti-entertainment. It's an insider warning about what happens when a culture confuses intensity with meaning and treats conflict as a renewable resource.
His phrasing is calibrated. "Not the violence, per se" rejects the tidy culture-war fight about whether violence exists in entertainment at all. Lear sidesteps moral panic and aims at something more structural: "exacerbation and constant repetition" as the true accelerant. Exacerbation suggests escalation for attention - making it louder, sharper, more legible in a crowded marketplace. Constant repetition speaks to desensitization and normalization: the loop that turns shock into familiarity, then into expectation.
The subtext is Lear's lifelong argument that TV isn't just a mirror; it's a mixer. The stories we mass-produce don't merely reflect social anxieties, they set the emotional thermostat. Coming from the architect of boundary-pushing sitcoms, the critique isn't anti-entertainment. It's an insider warning about what happens when a culture confuses intensity with meaning and treats conflict as a renewable resource.
Quote Details
| Topic | Peace |
|---|---|
| Source | Help us find the source |
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