"We are a weird bunch, we are very disparate"
About this Quote
“We are a weird bunch, we are very disparate” is band-speak that doubles as a quiet manifesto. Coming from Ed O’Brien - a musician best known for operating inside Radiohead’s famously restless ecosystem - the line isn’t self-deprecation so much as brand hygiene. “Weird” softens what could sound like conflict; “disparate” sharpens it back up, insisting the difference is structural, not just quirky personality seasoning.
The repetition matters. He doesn’t say “we’re weird and disparate” as a neat package. He resets the sentence, as if catching himself: weird isn’t enough to explain how this group functions. Disparate implies competing instincts, different tastes, different tolerances for fame, touring, experimentation, even for what “a song” is supposed to do. It’s an admission that cohesion isn’t their natural state - it’s the work.
Culturally, it lands as a corrective to the myth of the band as a unified hive mind. Fans love the fantasy of five people sharing one vision; O’Brien nudges us toward the messier truth that many enduring acts survive because they’re a coalition. The subtext is also a defense of artistic zigzags. If the public hears a left turn as inconsistency, the band can frame it as honest output from a mismatched committee.
There’s a faint pride in the phrasing: “bunch” keeps it human, almost pub-level. The sophistication is that he’s describing a creative engine powered by friction, not harmony.
The repetition matters. He doesn’t say “we’re weird and disparate” as a neat package. He resets the sentence, as if catching himself: weird isn’t enough to explain how this group functions. Disparate implies competing instincts, different tastes, different tolerances for fame, touring, experimentation, even for what “a song” is supposed to do. It’s an admission that cohesion isn’t their natural state - it’s the work.
Culturally, it lands as a corrective to the myth of the band as a unified hive mind. Fans love the fantasy of five people sharing one vision; O’Brien nudges us toward the messier truth that many enduring acts survive because they’re a coalition. The subtext is also a defense of artistic zigzags. If the public hears a left turn as inconsistency, the band can frame it as honest output from a mismatched committee.
There’s a faint pride in the phrasing: “bunch” keeps it human, almost pub-level. The sophistication is that he’s describing a creative engine powered by friction, not harmony.
Quote Details
| Topic | Friendship |
|---|---|
| Source | Help us find the source |
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