"We are all mortal until the first kiss and the second glass of wine"
About this Quote
Mortality is the default setting; Galeano is interested in the brief hacks that make us forget it. By pairing "the first kiss" with "the second glass of wine", he sketches two small thresholds where consciousness tips into something else: intimacy, then looseness; connection, then abandon. It’s not grand romance or epic drunkenness. It’s first and second - the moments where life stops being merely managed and starts being felt.
The line works because it treats transcendence as both tender and faintly suspect. A first kiss is a secular sacrament: it reorders time, turns a body into a universe. The second glass of wine is the sly counterweight, implying that what feels like eternity is also chemistry, ritual, and social permission. Not the first glass - the polite one - but the second, when performance slips and the room warms. Galeano’s subtext: we don’t escape death by thinking harder; we do it by stepping, briefly, outside ourselves.
Context matters. As a journalist and chronicler of Latin America’s wounds and wonders, Galeano wrote against numbness: against living as if history, violence, and inequality were just weather. Here, he’s offering a micro-politics of aliveness. Pleasure isn’t frivolous; it’s resistance to despair and a reminder that the body can still be a site of truth. The irony is gentle but real: we remain mortal, of course. The kiss and the wine don’t cancel death - they interrupt its monopoly on our attention.
The line works because it treats transcendence as both tender and faintly suspect. A first kiss is a secular sacrament: it reorders time, turns a body into a universe. The second glass of wine is the sly counterweight, implying that what feels like eternity is also chemistry, ritual, and social permission. Not the first glass - the polite one - but the second, when performance slips and the room warms. Galeano’s subtext: we don’t escape death by thinking harder; we do it by stepping, briefly, outside ourselves.
Context matters. As a journalist and chronicler of Latin America’s wounds and wonders, Galeano wrote against numbness: against living as if history, violence, and inequality were just weather. Here, he’s offering a micro-politics of aliveness. Pleasure isn’t frivolous; it’s resistance to despair and a reminder that the body can still be a site of truth. The irony is gentle but real: we remain mortal, of course. The kiss and the wine don’t cancel death - they interrupt its monopoly on our attention.
Quote Details
| Topic | Romantic |
|---|---|
| Source | El libro de los abrazos (The Book of Embraces), Eduardo Galeano, 1989 , widely cited source for the quote in English translations |
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