"We are no more content to plod along the beaten paths - and so marriage must go the way of God"
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Levy’s line arrives with the snap of a manifesto and the chill of a eulogy: if modern life refuses the “beaten paths,” then even the most sanctified institutions should expect extinction. The opening clause pretends to be modest - merely a report on restlessness - but it’s doing aggressive cultural triage. “Plod” makes tradition sound not noble but bovine, a dull gait enforced by habit. The dash works like a hinge: private dissatisfaction swings into public consequence. If we’ve outgrown inherited routes, Levy implies, we won’t just renovate the old structures; we’ll abandon them.
The provocation is the pairing: marriage “must” follow “God.” That’s not casual blasphemy so much as a diagnosis of secular modernity’s logic. In Victorian Britain, God underwrote the moral architecture that made marriage feel natural, inevitable, and socially mandatory. Once faith becomes contestable - once the metaphysical guarantor wobbles - marriage stops reading as destiny and starts reading as policy. Something maintained by law, money, and social surveillance.
As a Jewish woman writer moving through London’s literary circles, Levy was acutely aware of how the “beaten path” wasn’t evenly paved. For women, marriage often meant a narrowing of legal personhood and creative life; for outsiders, it could be both aspiration and trap. The subtext is less “down with romance” than “down with compulsory life scripts.” Levy’s audacity is to frame emancipation not as a personal choice but as an epochal shift: a world where disbelief doesn’t stop at theology, and where the most intimate contract becomes the next thing modernity dares to question.
The provocation is the pairing: marriage “must” follow “God.” That’s not casual blasphemy so much as a diagnosis of secular modernity’s logic. In Victorian Britain, God underwrote the moral architecture that made marriage feel natural, inevitable, and socially mandatory. Once faith becomes contestable - once the metaphysical guarantor wobbles - marriage stops reading as destiny and starts reading as policy. Something maintained by law, money, and social surveillance.
As a Jewish woman writer moving through London’s literary circles, Levy was acutely aware of how the “beaten path” wasn’t evenly paved. For women, marriage often meant a narrowing of legal personhood and creative life; for outsiders, it could be both aspiration and trap. The subtext is less “down with romance” than “down with compulsory life scripts.” Levy’s audacity is to frame emancipation not as a personal choice but as an epochal shift: a world where disbelief doesn’t stop at theology, and where the most intimate contract becomes the next thing modernity dares to question.
Quote Details
| Topic | Marriage |
|---|---|
| Source | Help us find the source |
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