"We are the only school in America, drama school in America that trains actors, writers and directors side by side for three years in a master's degree program, and we want them - to expose them to everything"
About this Quote
A little boosterism, a little manifesto: Lipton is selling an ecosystem, not a curriculum. The claim of being "the only school" is less a verifiable statistic than a rhetorical move that borrows prestige from scarcity. If there is just one place doing it right, the place doing it right becomes destiny. Lipton understood that in American arts education, differentiation is survival.
The real engine of the quote is the phrase "side by side". It's an argument against the factory-model pipeline that treats actors as products, writers as solitary geniuses, directors as auteurs. Training these roles together for three years frames the theatre and film set as a social organism, built on mutual dependency and shared language. The subtext: talent isn't enough; literacy in other people's crafts is what turns gifted individuals into collaborators who can actually ship a production.
"We want them - to expose them to everything" has the cadence of someone thinking aloud, almost catching himself mid-pitch. That dash is revealing: the educator peeks through the promoter. "Everything" is intentionally vague, a capacious promise that answers a student anxiety he knew well: What am I missing? In the context of The Actors Studio ethos Lipton popularized on television, the line also nods to his larger project of legitimizing the performing arts as rigorous, graduate-level study. Not just training to be seen, but training to see: the script, the camera, the room, the power dynamics.
The real engine of the quote is the phrase "side by side". It's an argument against the factory-model pipeline that treats actors as products, writers as solitary geniuses, directors as auteurs. Training these roles together for three years frames the theatre and film set as a social organism, built on mutual dependency and shared language. The subtext: talent isn't enough; literacy in other people's crafts is what turns gifted individuals into collaborators who can actually ship a production.
"We want them - to expose them to everything" has the cadence of someone thinking aloud, almost catching himself mid-pitch. That dash is revealing: the educator peeks through the promoter. "Everything" is intentionally vague, a capacious promise that answers a student anxiety he knew well: What am I missing? In the context of The Actors Studio ethos Lipton popularized on television, the line also nods to his larger project of legitimizing the performing arts as rigorous, graduate-level study. Not just training to be seen, but training to see: the script, the camera, the room, the power dynamics.
Quote Details
| Topic | Teaching |
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