"We belabour, I think, under a very heavy crust of consumerism really"
About this Quote
A “heavy crust” is an inspired, faintly disgusting image for something that’s supposed to feel like freedom. Emma Thompson isn’t railing against shopping in the abstract; she’s describing consumerism as a hardened layer that sits on top of us, dulling sensation and making movement harder. The verb choice matters: “belabour” frames the problem as labor, not pleasure. Consumption is pitched as ease and self-care, but she casts it as an exhausting burden we’re made to carry.
The little hedge words - “I think,” “really” - are part of the tactic, too. Thompson’s public persona trades on intelligence without pomposity; she softens the entry so the critique can land without sounding like a lecture from a private-jet progressive. It’s a conversational aside that smuggles in indictment: if this is just the air we breathe, it will take force to notice it.
Contextually, it fits a celebrity who has spent years in the climate and humanitarian lane, but it also reads as an insider confession. Actors are paid to sell stories; famous actors are paid, indirectly, to sell lifestyles. For her to say “we” is crucial: she’s not exempting herself from the system that glamorizes acquisition. The subtext is that consumerism isn’t merely a personal vice; it’s infrastructure. It clings, it seals, it insulates. A crust protects what’s underneath, but it also stops anything new from getting in. That’s the bleak punch: a culture that keeps itself from feeling the cost of what it buys.
The little hedge words - “I think,” “really” - are part of the tactic, too. Thompson’s public persona trades on intelligence without pomposity; she softens the entry so the critique can land without sounding like a lecture from a private-jet progressive. It’s a conversational aside that smuggles in indictment: if this is just the air we breathe, it will take force to notice it.
Contextually, it fits a celebrity who has spent years in the climate and humanitarian lane, but it also reads as an insider confession. Actors are paid to sell stories; famous actors are paid, indirectly, to sell lifestyles. For her to say “we” is crucial: she’s not exempting herself from the system that glamorizes acquisition. The subtext is that consumerism isn’t merely a personal vice; it’s infrastructure. It clings, it seals, it insulates. A crust protects what’s underneath, but it also stops anything new from getting in. That’s the bleak punch: a culture that keeps itself from feeling the cost of what it buys.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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