"We blush very, very easily, and we get terrified of audiences"
About this Quote
Then she pivots from the intimate to the public: "we get terrified of audiences". That plural pronoun matters. McKenzie isn’t making herself a special case; she’s drafting a small union of the anxious. Actors, she implies, are not attention addicts but people who willingly step into a situation engineered to trigger alarm: being watched, assessed, misread. The "audiences" are also plural, suggesting there isn’t one public but many, each with its own mood and power dynamics - casting directors, critics, opening-night crowds, the camera-as-crowd.
The subtext is a kind of professional paradox. Blushing is the body betraying the mind; acting is the mind trying to direct the body. Her line hints that performance isn’t the absence of fear, but the management of it - turning panic into presence. In a culture that rewards unbothered confidence, McKenzie’s candor works because it makes the glamour of acting feel human again, and the courage of it feel earned rather than assumed.
Quote Details
| Topic | Anxiety |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
McKenzie, Jacqueline. (2026, January 17). We blush very, very easily, and we get terrified of audiences. FixQuotes. https://fixquotes.com/quotes/we-blush-very-very-easily-and-we-get-terrified-of-61906/
Chicago Style
McKenzie, Jacqueline. "We blush very, very easily, and we get terrified of audiences." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/we-blush-very-very-easily-and-we-get-terrified-of-61906/.
MLA Style (9th ed.)
"We blush very, very easily, and we get terrified of audiences." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/we-blush-very-very-easily-and-we-get-terrified-of-61906/. Accessed 22 Feb. 2026.














