"We changed every lead in our whole system, and to this day we still don't really know why it did it. We think wires were touching and faulting. That was it really, but it didn't make it any easier"
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The line lands like a postmortem muttered backstage: you can hear the road-case clatter and the quiet panic of a system that should be knowable but isn’t. Kelly Jones isn’t selling genius or mythology here; he’s doing something rarer in musician lore, puncturing the fantasy of total control. “We changed every lead” has the blunt rhythm of sunk cost, the kind of labor that feels heroic only because it’s exhausting. Then comes the gut-punch: “to this day we still don’t really know why.” The subtext is a confession about modern performance itself: the show depends on a web of gear, bodies, voltage, and luck, and the more professional you get, the more humiliating it is when the basics won’t behave.
The half-explanation - “We think wires were touching and faulting” - reads like a shrug translated into technical language. It’s not ignorance; it’s the reality that live sound is often forensic theater. You troubleshoot to restore the illusion, not to satisfy curiosity. “That was it really” is Jones trying to close the case for his own sanity, but the final clause reopens it: “it didn’t make it any easier.” Fixing the problem doesn’t redeem the ordeal. It just confirms the asymmetry: tiny causes, massive consequences.
Culturally, it’s an anti-rockstar statement. Instead of triumph, you get maintenance. Instead of destiny, you get a stubborn cable. And that honesty is its own kind of credibility.
The half-explanation - “We think wires were touching and faulting” - reads like a shrug translated into technical language. It’s not ignorance; it’s the reality that live sound is often forensic theater. You troubleshoot to restore the illusion, not to satisfy curiosity. “That was it really” is Jones trying to close the case for his own sanity, but the final clause reopens it: “it didn’t make it any easier.” Fixing the problem doesn’t redeem the ordeal. It just confirms the asymmetry: tiny causes, massive consequences.
Culturally, it’s an anti-rockstar statement. Instead of triumph, you get maintenance. Instead of destiny, you get a stubborn cable. And that honesty is its own kind of credibility.
Quote Details
| Topic | Technology |
|---|---|
| Source | Help us find the source |
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