"We combat obstacles in order to get repose, and when got, the repose is insupportable"
About this Quote
Adams nails a perversity that still feels painfully current: the life you hustle toward is the one that can’t hold your attention once you arrive. The line pivots on its own logic. “Combat” suggests nobility, grit, even moral purpose; “repose” is framed as the prize, the earned quiet. Then he detonates the bargain with that final word, “insupportable,” a term so severe it refuses any cozy reading of rest as simple relief. Adams isn’t praising ambition. He’s diagnosing a nervous system trained on struggle, where ease registers not as safety but as emptiness.
The intent is less self-help than social X-ray. As a historian watching America’s late-19th-century acceleration (industrial expansion, institutional growth, a nation busy professionalizing everything), Adams saw “progress” generating a new kind of psychological trap: motion becomes meaning. The subtext is that obstacles aren’t just hurdles; they’re scaffolding. They organize desire, justify identity, and lend a narrative arc to days that might otherwise feel shapeless. Remove the resistance and you don’t get peace, you get vertigo.
Context matters because Adams wrote from inside a culture beginning to worship efficiency and output while quietly losing older sources of consolation - religion’s authority, stable class scripts, even the romance of the frontier. Repose, in that world, isn’t a return to wholeness; it’s a confrontation with the self after the project ends. The sentence works because it refuses heroics: it exposes restlessness as both engine and symptom, the cost of a modern life that can’t stop moving long enough to feel like it’s going anywhere.
The intent is less self-help than social X-ray. As a historian watching America’s late-19th-century acceleration (industrial expansion, institutional growth, a nation busy professionalizing everything), Adams saw “progress” generating a new kind of psychological trap: motion becomes meaning. The subtext is that obstacles aren’t just hurdles; they’re scaffolding. They organize desire, justify identity, and lend a narrative arc to days that might otherwise feel shapeless. Remove the resistance and you don’t get peace, you get vertigo.
Context matters because Adams wrote from inside a culture beginning to worship efficiency and output while quietly losing older sources of consolation - religion’s authority, stable class scripts, even the romance of the frontier. Repose, in that world, isn’t a return to wholeness; it’s a confrontation with the self after the project ends. The sentence works because it refuses heroics: it exposes restlessness as both engine and symptom, the cost of a modern life that can’t stop moving long enough to feel like it’s going anywhere.
Quote Details
| Topic | Overcoming Obstacles |
|---|---|
| Source | Help us find the source |
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