"We could hang around for ten years and nobody would care enough to identify us. Therein lies the horror"
About this Quote
A chill runs through Campbell's line because it refuses the usual horror-movie payoff. No masked killer, no Gothic mansion, not even the consolation prize of being remembered. The terror is administrative: ten years in plain sight and still too insignificant for anyone to bother naming you. Identification here isn't just a police procedure; it's the minimum proof of social existence.
Campbell, a comics artist steeped in noir and urban unease, aims the spotlight at a modern dread that feels even sharper in a culture obsessed with visibility. We live amid constant documentation, yet his characters imagine the opposite fate: total civic invisibility. The punch comes from the reversal of what we're trained to fear. Most people worry about being tracked; Campbell suggests the deeper anxiety is being untrackable because nobody cares. That flips surveillance from menace to privilege: to be worth watching is, in a warped way, to matter.
The line's dry cadence does the work. "Hang around" sounds casual, almost slack, like loitering outside a corner shop. Then "nobody would care enough" lands as an indictment of indifference, not ignorance. It's not that society can't identify you; it's that it won't spend the energy. The final sentence, clipped and formal, reads like a coroner's note. Horror, in Campbell's framing, isn't gore. It's neglect so complete it becomes existential: anonymity not as freedom, but as proof you could disappear without leaving a ripple.
Campbell, a comics artist steeped in noir and urban unease, aims the spotlight at a modern dread that feels even sharper in a culture obsessed with visibility. We live amid constant documentation, yet his characters imagine the opposite fate: total civic invisibility. The punch comes from the reversal of what we're trained to fear. Most people worry about being tracked; Campbell suggests the deeper anxiety is being untrackable because nobody cares. That flips surveillance from menace to privilege: to be worth watching is, in a warped way, to matter.
The line's dry cadence does the work. "Hang around" sounds casual, almost slack, like loitering outside a corner shop. Then "nobody would care enough" lands as an indictment of indifference, not ignorance. It's not that society can't identify you; it's that it won't spend the energy. The final sentence, clipped and formal, reads like a coroner's note. Horror, in Campbell's framing, isn't gore. It's neglect so complete it becomes existential: anonymity not as freedom, but as proof you could disappear without leaving a ripple.
Quote Details
| Topic | Legacy & Remembrance |
|---|---|
| Source | Help us find the source |
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